He talks about how the mics were in some unique configuration that they could never achieve again. No wah or other tricks, just messed up mic placement.Dorfsman says that on "Money for Nothing," Knopfler played a Les Paul Junior through a Kelly amp miked with two Shure SM57s, one close and the other "in that weird spot, like seven inches back and pointing to the side," he laughs.
scarr said:http://mixonline.com/mag/audio_classic_tracks_dire/
Read that. It'll give you more info than we could. The shortest useful clip is:
He talks about how the mics were in some unique configuration that they could never achieve again. No wah or other tricks, just messed up mic placement.Dorfsman says that on "Money for Nothing," Knopfler played a Les Paul Junior through a Kelly amp miked with two Shure SM57s, one close and the other "in that weird spot, like seven inches back and pointing to the side," he laughs.