My busy self finally watching this. @GlennO thanks again, I will probably start recording DI for all my demos. Quick question - how does one set up the takes view in the track? I meant to learn more about Logic, except I bought this machine just before my first was born hahaha.
9/10 for the output is correct. When I set up an aggregate just like yours, re-amping works fine. It’s hard to think of a reason why it wouldn’t work. If you send output to AxeFX usb channels from any source on your computer, you should see input on the AxeFX usb meters. So that’s the thing you need to troubleshoot. I'm pretty sure your problem doesn't have anything to do with the use of an aggregate. It’s almost certainly something simple like the usb input level on the AxeFX turned down.
Here's a brief video showing re-amping with an aggregate just like yours. As you can see in the meter activity, re-amping the DI track works fine:
Hey @GlennO trying to re-amp a bass DI and I think the DI output may be too low. In your video the levels are -1 for wet -10 for dry, mine is -1 and -33. I tried adding gain via logic but even adding 24dB it didn't boost the signal enough.
Edit: I think the culprit was USB input levels, ch5/6 was set to -40dB.
Edit 2: if you have your preset on mute, you wont hear the IO plugin
I think mine came set to -40 across all USB inputs for whatever reason. It's set back to 0 now, and a quick test confirmed it works as expected.That's right, the USB Input level should be at the default, 0 dB, level. As a general rule, you should avoid altering the DI level, either when recording or re-amping. That way it'll sound just like a guitar plugged into the Axe-FX when re-amping.
Are you referring to setting the output mode to "mute" as shown in the video? That will have no effect on the i/o plugin. You should set that mode to mute when re-amping to avoid a redundant signal on the monitor signal path.
Re-amping is one of the most under-appreciated aspects of the Axe-FX. I suspect that's at least partially because it seems like it might be a complicated process. In this tutorial I show that, in spite of being a powerful technique, it's actually quite simple.
One note about an option to consider when using this method: Instead of using an I/O plugin as is shown at 3:22, set the output for the DI track to usb channels 5/6 and turn on input monitoring for (and unmute) the wet track. That can be useful in some cases if you have effects applied to the wet track and you want to audition presets through those effects. This option is also useful in Cubase where you might be prevented from using the same input channel for the return that is already in use on a track.
I am absolutely lost when it comes to this. I am trying to record and re-amp through USB. I have an Axe FX II XL+ with a USB plugged into my Mac Studio computer. I use an Apogee Quartet interface plugged directly into my Mac Studio USB. My speakers are connected to the Quartet. I use Pro Tools Studio 2024.3.1. I need a step-by-step I/O set-up guide for Pro Tools. I DO NOT want to use the Axe FX as an interface. I want to keep my Quartet as the interface. Please help.
Thank you Glenn. This seemed to work. I was able to record the wet and DI signal in Pro Tools from the AxeFX front input jack. I was also able to reamp from Pro Tools. The only other question I have is when I try to reamp by switching the AxeFX unit to USB input, I have to close and reopen the Pro Tools session to get the recorded DI track and the AxeFX to sync together. Is this normal for Pro Tools or should the switch from the front input to USB be more seamless?
For sure! I should’ve done that with another output block, but I just did it with Out 1 by bypassing the amp and cab blocks. And after matching it from plugged in to reamp DI, they were both living in the same area in output 1, yet the input LED’s on the front of the axe fx were not the same, with the DI reamp looking less powerful while directly plugged in kept the yellow light on longer and more consistently. I would’ve thought that they should be the same. That’s why I was asking.As I mention in the recording guide, the most reliable way to measure the input level is to attach an unused output 3 or output 4 block to the input block and check the meter in that output block for both the guitar and the DI. If those match then you’re doing it right.