I know this. But I love being able to do everything over USB. This is why there are so many “prettys” in my “please.” I know the workarounds. I’m also fairly certain this will never happen.Just go out analog to your interface. Then you can record at any sample rate.
My other collaborators have older computers and they feel that 48k is too taxing on their hardware. For my part, recording at home with the Axe 3 over USB is preferable because Of the access to Axe Edit and convenient re-amping abilities. This means that I have to export anything I want to show the guys at rehearsal (or send them a copy to work on) to 44.1k. It makes it too convoluted to pass files back and forth, and basically means that I can’t use the Axe 3 the way I like to because my band mates have POS computers. Kind of weird that my bad-ass black box that can do anything, can’t use a sample rate that every other interface I own does.what fer????
I do... why do you ask?do you use any other interfaces besides the FAS USB driver?
I do... why do you ask?
Yes, this is yet another reason that adding 44.1k support would improve the situation for me. Alas, I have already shifted my efforts to incorporating other interfaces. It’s a shame, because it eliminates one of my absolute favorite features about the Axe Fx due to the omission of a pretty basic setting, but oh well.If anything, using the FAS AD/DA converters would probably do you more benefit anyways for the sound, compared to whatever else would be doing the conversion after it came out of the FAS processors if it went in and came out as digital.