Forever Again
Inspired
What’s even more awesome was this was a user request less than a week ago.Awesome release! I love the "Kill Dry" for parallel effects. That makes it so much easier to set up patches and also to get levels correct.
What’s even more awesome was this was a user request less than a week ago.Awesome release! I love the "Kill Dry" for parallel effects. That makes it so much easier to set up patches and also to get levels correct.
My wife and I saw them on their last tour and have tickets for the upcoming show in June. They nailed the songs they played. Not just great covers (which they were), but captured feel by making the tunes their own. If you're a Pink Floyd fan, I highly recommend catching their show. I can't imagine that you'll be disappointed.
Off subject but awesome to see at a concert. Makes you proud to own FAS products. Guitar tones are absolutely incredible and so is Brit FlydeView attachment 138434
I saw them last month in Montréal. Stellar and it was great to hear FAS used by this great tribute.
Off subject but awesome to see at a concert. Makes you proud to own FAS products. Guitar tones are absolutely incredible and so is Brit FlydeView attachment 138434
Thanks so much! Good stuff! I love the rotary scene!Sounds mighty. Thanks, Cliff!
Here's an ODS-100 based patch I strapped together to celebrate, for anyone interested.
http://axechange.fractalaudio.com/detail.php?preset=10930
Is this the ODS Clean or more of the Ford, PAB, and HRM? I just did a bunch of testing and noticed minimal differences with my tone matches I created with the ODS Clean (for my Two Rock Traditional Clean tone match). If anything there was a slight dip in the low end, but once I turned it up from 5.99 to 6.35 it was back.I can notice a positive difference in my ODS patches, not sure about the rest yet.
No ..think Mr Ford soloing with the turbo on...It use it as a quite gainy patch, with the guitar vol rolled backIs this the ODS Clean or more of the Ford, PAB, and HRM? I just did a bunch of testing and noticed minimal differences with my tone matches I created with the ODS Clean (for my Two Rock Traditional Clean tone match). If anything there was a slight dip in the low end, but once I turned it up from 5.99 to 6.35 it was back.
Its falrly simpleblaggers......the layout of the preset you posted is very strange, with all of the inputs/outputs. Care to explain what all of this does, and how you have the in/outs (physical) set up? Just looking at it makes my brain hurt.
yup, for higain, master at 1-2 as a starting point for me also, depending on amp model.On my JCM800 2203 the power amp (phase inverter, etc.) start to distort slightly above 1 on the Master which is loud in the room, that's with modern (consistent) Alpha Log potentiometers.
Master at 1 is my starting point on all MV amp models with all modelers.