Recent content by Bakerman

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    Wish New CS per Scene value - "Scene Revert" for Control Switches

    It doesn't, but the goal might be more clear in the linked thread. Imagine a preset stored with a CS off in all scenes. You begin on scene 1 and decide to activate the CS. Now switch to scene 2, and the CS turns off because it's stored that way. Switch back to scene 1, CS turns on because...
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    Looper Quantize

    In theory a short buffer that's always recording could be used, but the post you quoted is talking about beginning playback. Again, this was implemented properly on the Axe-FX II after I suggested it years ago: https://forum.fractalaudio.com/threads/looper-quantize.199089/post-2478041
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    Control Switch Assignment assigned to a scene

    That won't really do anything here, basically creating the same issue as CS with "last" CS Per Scene setting in all scenes OP described. I think the only best/only solution without adding a MIDI controller would be Scene Revert = off, and set up a separate block to engage for the boost.
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    My Van Halen Synth Demo

    FYI you're playing a couple wrong RH notes and the LH isn't quite aligned correctly in the Right Now intro. I'm guessing you might be thinking of the 1 in a different spot from the actual beat which is kind of easy to have happen with this type of thing.
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    Global Damping of Pedal 1/2 values

    The Axe-FX III applies some damping to Pedal 1/2 values (when type = Continuous) at all times. The result is similar to setting a modifier's Attack & Release to around 40 ms with Exponential damping, except without having to actually do that. This doesn't really sound correct or good for certain...
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    Synth Block - Pitch + Env Vs Quantise tracking?

    Quantize rounds (quantizes) pitch to the nearest semitone. So, slight vibrato/bending won't affect the pitch but if you bend enough you'll hear it jump to the next semitone.
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    CS for Amp Channel changes

    If cycling through 4 channels was important and you have a spare layout, I think you could put two different CS on two otherwise identical layouts, each with a link to the other layout, CC values of 0/2 for one CS and 1/3 for the other. Be aware that CS Per Scene settings in other presets could...
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    CS for Amp Channel changes

    OP mentioned simulatenous Amp & Cab channel switching in 1st sentence so the options are basically: 1. Midi Loopback (toggle between 2 channels of any number of blocks via CS MIDI) 2. Get an actual MIDI controller more suited for this depending on goals e.g. cycling through more than 2...
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    Stereo Pitch Effects

    The difference is more drastic with larger shift intervals and we don't really know what OP's trying to set up here. Intelligent harmonies or altering the interval in other ways will usually sound less natural after the cab. A fixed shift interval will sound like some other IR (more different...
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    Stereo Pitch Effects

    Not really because those filter the wet pitch signal only, and shifting before vs. after cab (or any sort of EQ) won't produce the same frequency response. For a detune effect the order shouldn't make much of a difference though.
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    Single Switch on FC Pedal Input Behaviour - Help Please!

    If you set Eff. Bypass Mode to Toggle in MIDI/Remote: General it should toggle with each press, assuming you assigned it to bypass the Pan/Trem in MIDI/Remote: Bypass. There isn't a way to reset the Axe-FX's internal state of this virtual toggling for actual modifiers, at least not by simply...
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    Avoiding OUT1 and XLR to TS for 4 cable method

    https://forum.fractalaudio.com/threads/solved-fm3-output.161944/page-2#post-1939929
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    Right Now - Van Halen intro sound (with vid)

    Yes, or basically the same thing on the Spanked doubleneck if he had that at the time, panned left, with a standard guitar an octave up panned right. There's a separate bass part too, and I think the distortion part(s) that eventually fade in might be there too w/ vol. knob rolled back, not...
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    How do I use outboard in fx loop with the digital connectors?

    Your Out 2 block's main level control is at -25 dB there. Increase that for more level at Out 2. With the dry-thru approach you can save a couple columns like this:
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    How do I use outboard in fx loop with the digital connectors?

    I/O: Audio menu Digital Input Source: SPDIF SPDIF/AES Out Source: Output 2 Input 2/3/4 Source (choose one, note that this precludes using the same-numbered analog input pair in any preset): Digital Output 2 and the Input block # you chose will be the loop send/return. There's a one-row example...
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