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  1. B

    Parallel+Series FX chains: volume control issue

    The delay & chorus will mute when bypassed as set there, mix at 100% and bypass mode = Mute FX Out. Were you intending to change that so they could be bypassed and still pass dry signal to Plex and/or Rotary at times? In any case, if you're controlling the switching entirely via scenes, you...
  2. B

    Parallel+Series FX chains: volume control issue

    Export it with Axe-Edit (Preset: Export Preset), attach the file to a post here ('Attach files' button below text box).
  3. B

    Parallel+Series FX chains: volume control issue

    This would mean there was some dry signal going through that row while those blocks were engaged. Is that the intended result? You could add some block like a null filter to that row and mute-bypass it as needed. Or just set FX3 or FX4 to an otherwise unused channel and mute-bypass it. This is...
  4. B

    Bypass the Volume/Wah block when changing scenes and presets. Expression + switch toggle

    Scene revert isn't related to this. You'll need to change the bypass modifiers' source to a Control Switch, add that CS# to any FC layout, configure your external switch as a stand-in switch for the CS switch, then set the CS Per Scene values for that CS# in the Controllers menu to "OFF" for...
  5. B

    Best way for adding an octave

    I don't think the type matters soundwise. Virtual Capo, either Whammy type or (not that there would normally be a need to use it) a stopped Arpeggiator will have have lower CPU usage than other types, due to those being single-voice I'd guess.
  6. B

    Wish Expand ADSR input trigger sources.

    https://forum.fractalaudio.com/threads/adsr-triggered-by-other-sources.153902/
  7. B

    What are these two chords? -- Sade Paradise near the end

    I actually checked it out yesterday and the A-D-F♯ voicing seems correct. First one (2:48) sounds like there's an E grace note into F♯, vocal holding a lower E♭ ("you") might also play some role in the second one (3:07) sounding different.
  8. B

    Wish Pitch Block - TransTrem Sim

    I think the algorithms are identical, on the Axe-FX III at least. With the splicing of two blocks aligned well enough (changing one shift value to something else and back will randomly accomplish this eventually) the two types with identical settings will cancel to near silence for a while.
  9. B

    Preset Increment/Decrement Start/End: Cannot do from Current?

    I'm not sure what this means. Did you try setting this up and encounter an unexpected result? The Preset Inc/Dec Start/End parameters determine the wraparound range, when a Dec or Inc command that would have gone out of range (while on one of those preset numbers) will jump to the other end of...
  10. B

    Setting Initial Value of Volume Modifier

    Axe-Edit allows normal editing while PC Reset is in effect, before the modifier source takes control. You can also click the value field and type a value at any time. The mouse actually still works (somewhat) if the modifier's taken control--the stored value will be what you last saw while...
  11. B

    Amp Block input select - Sum L+R vs Left. Is there a difference?

    If the left & right signals arriving at the amp block are identical, the input select setting doesn't matter.
  12. B

    Can't get external foot switch to latch...

    That's not really what that setting does. Try setting it to "momentary". Momentary hardware plus a setting of "latching" would cause what you described earlier.
  13. B

    Axe-Fx III Firmware 24.04 Release

    Done. Also here's a suggested revision from me over 3 years ago: https://forum.fractalaudio.com/threads/scene-modifications-question.168642/post-2026324
  14. B

    Not a Bug Tuner / Custom Scales Frequency Off?

    I'm thinking OP could be confused about how the "Key" parameter relates to the chosen global scale when using Custom Shifter type. A preset or recording of "custom scales not working" might be useful here.
  15. B

    Axe-Fx III Firmware 24.04 Release

    The state only reverts if you change scenes via FCx or MIDI. Switching scenes via front panel or Axe-Edit won't revert. If it did, that would make editing somewhat of a hassle as you'd have to save frequently to avoid losing changes when trying to configure initial states of multiple scenes...
  16. B

    LFO start point defaults to the Mid point...?

    A control switch (or external switch) as the modifier source with attack time set high enough, probably. The shift parameter will quantize to half step intervals though so you'll need to control frequency instead for a smooth change. It used to be smooth but this changed in an update a while...
  17. B

    LFO start point defaults to the Mid point...?

    Selecting LFO 1B or 2B with B Phase at 90 degrees and modifier min/max or start/end swapped from the current values might give the result you're looking for. The LFO will keep running though so I'm not too sure an LFO is actually the right tool for the goal you described.
  18. B

    2290 Problem

    This happens when the hidden "config" parameter differs from the Type's default for some reason. On the Axe-FX II this was easy since config was an adjustable parameter. It's still sysex-adjustable on the III and FracTool's batch setter can alter it:
  19. B

    bug? changing controller block tempo not affecting tempo based delay

    It's happening with Tempo To Use = Preset. It only occurs when changing the Controllers block channel directly. A scene change that includes a Controllers channel change is handled correctly. The hardware can actually be displaying the block edit menu as you switch Controllers channel in...
  20. B

    bug? changing controller block tempo not affecting tempo based delay

    Confirmed. Going to a block's edit menu (AE or hardware) also updates time/rate but a Controllers channel change on its own won't do it.
  21. B

    Convert 2 Stereo inputs to 4 Mono channels for processing

    Volume/Pan blocks (input select parameter) can be used for this part. While the Axe-FX III only has 4 vol/pans, there are a couple alternatives (mixer block, or any block that can output a 100% dry signal into a null filter) if you need a vol/pan for something else. Also note that amp blocks...
  22. B

    whammy and volume with one exp pedal

    The damping is what can avoid that issue with the first method. The dry signal would keep sounding long enough to move the pedal heel down after the switch press. I'll post example presets & LFO setup details sometime in the next couple days.
  23. B

    whammy and volume with one exp pedal

    Modifier damping could delay your pitch-engage method, leaving a moment to move the pedal back after you press the switch. Then maybe do the same on the volume bypass control, in case you end a whammy section at heel-down and want to get back to volume control mode. There's also a way to have...
  24. B

    All blocks muted, but CPU maxed

    Whether this occurs depends on the bypass mode, so it's more like: The effect algorithm keeps performing its math on something, and that "something" being all zero-amplitude samples vs. anything else has little to no impact on CPU usage.
  25. B

    What happened to ‘save a preset to a new number’ in axe-edit?

    "Preset" menu = new text Right-click "Save" button = old text
  26. B

    I need help. Issue with DAW / Axe III interaction

    Check the current playback device in Windows sound settings while the Axe-FX is powered on with USB connected. This sounds like it's just switching to the Axe when available. Selecting the Scarlett should prevent it from switching to the Axe later, barring any recurrence of whatever event(s)...
  27. B

    Scene Manager and Swapping Scenes...

    If you can post a screenshot of the modifiers list in the Controllers menu, that would indicate if there's a control switch assigned to any bypass parameters. I think that's the only thing that "should" go wrong with scene swapping as CS Per Scene values aren't swapped. Also, how are you...
  28. B

    Using pitch block to step down e flat on all presets

    This would be extra work for the same sound at higher CPU usage (due to Custom Shifter type being dual-voice) than Virtual Capo set for -1 semitone. It would allow changing the tuning sort of quickly later, but that could also be made easier by instead adjusting Init. Value of an otherwise...
  29. B

    Not a Bug Issue with Channel Switching on Reverb 2 Block

    You might get the desired result here by disabling scene ignore for all channels and assigning a Control Switch as reverb bypass modifier. Set CS Per Scene (in Controllers menu of editor, FC Per-Preset menu on hardware) to "on" so it's engaged on that scene with channel B, and "last" for the...
  30. B

    Mission EP1-KP with FM9 using an FC6

    The wiki is misleading there. The wah bypass modifier will make any autoengage setting on any other wah modifiers irrelevant. The preset you posted has no autoengage in the wah block when viewed with FracTool or imported to the III with Axe-Edit. The bypass modifiers as configured should toggle...
  31. B

    Mission EP1-KP with FM9 using an FC6

    Autoengage is only needed if you want to bypass the wah (at toe or heel position) without needing to switch back to pedal controlling volume. So, it's not entirely clear what you've set up without seeing the preset. I'm guessing you might have the switch modifying some wah parameter other than...
  32. B

    Mission EP1-KP with FM9 using an FC6

    I'm not seeing anything indicating a normal TS cable would be a problem either. https://missionengineering.com/shop/ep1-kp/ "Switch is TS Momentary" https://www.fractalaudio.com/downloads/manuals/FC-X/FC6+12-Owners-Manual.pdf Pg 8: CONNECT A SWITCH AT A PEDAL JACK... Calibration is not...
  33. B

    Mission EP1-KP with FM9 using an FC6

    I think this might be wrong. With the Axe-FX III pedal ports you need to set type to "momentary" in I/O: Pedal to get latching operation from momentary hardware. I would view one of these modifier menus to see if any change in state is actually being detected. The only thing a mismatch of...
  34. B

    Confirmed Midi/Remote: Just selection of scene increment/decrement is possible with external switch & Stand-in switches: "External Switch" isn't possible w/o FC

    You don't need to hold the switch; it will toggle the tuner with each press if you have the switch hardware type set properly. I verified this yesterday before posting that. Try it out.
  35. B

    Wish Internal Controller Block - Channels

    It seems like an oversight that this is the only "block" missing from the channel assignment menu. Scene ignore for the Controllers block would also be useful. IMO it's kind of pointless to have entirely different scene controller values per channel if you can't actually switch to and have the...
  36. B

    Crystal Echoes: Crossfade time removed?

    These Eventide sounds in a bunch of Vai tunes and other things mentioned above are impossible now with Crystal Echoes' fixed 100% crossfade time. Two granules crossfading constantly is quite different from one resultant line at steady volume. Trying to get some of these sounds now would be about...
  37. B

    Confirmed Midi/Remote: Just selection of scene increment/decrement is possible with external switch & Stand-in switches: "External Switch" isn't possible w/o FC

    The Tuner on Heel Down function can be used for this if you don't need it activated from another expression pedal or anything else. Set it to the Pedal port your switch is connected to, and the switch will toggle the tuner. Latching or momentary switches will both work. Set switch type...
  38. B

    switching between RJM and FC12

    There's no additional shortcut for this, other than maybe saving a system file for each setup to send as needed. Either way, the Ext Ctrl assignments still have to change somehow.
  39. B

    Input Trim and Neutral Boost calculation

    http://www.sengpielaudio.com/calculator-gainloss.htm 1. Convert dB to voltage ratio 2. Voltage ratio = Input trim value
  40. B

    Reverb Stack/Hold Fade Out

    Reduce the reverb's Input Gain instead of Mix in that scene.
  41. B

    Reverb Stack/Hold Fade Out

    Trying the Axe-FX III version of that preset, if I set CS1 to Off in scene 3 (at the CS Per Scene menu) any held reverb sound will decay normally when switching to scene 3. What did you actually edit to get to the point where you said "when I go to scene 3, if i don't have the hold engaged"...
  42. B

    Wish Improved Auto-Swell effect

    Not really, I think. The first part of the wish seems to be for something like this, where almost any note attack would retrigger the swell without the need to drop below the threshold first: https://forum.fractalaudio.com/threads/various-presets-tricks.135770/post-1607737 Having the detector...
  43. B

    I need this control after seemingly using all of them up..

    Is the FCB-1010 the only controller you're using? The Control Switch modifying rotary speed isn't going to be something you can control directly via MIDI. What are you envisioning stepping on to switch the rotary speed--a switch on the FCB1010? P.S. Delay input gain works the same way with a...
  44. B

    FC6 expression pedal to duplicate expression pedal on FM9?

    A stopped triangle LFO's "B" output can emulate the Axe-FX III's "add" or "multiply" dual-source modifier options with pedals modifying Depth & B Phase in a certain way. (The resulting LFO values will only sweep through half of the value range but you can translate this to any range by adjusting...
  45. B

    Using Switch pedal to inc/dec presets?

    In Setup: I/O: Pedal set the pedal type to latching or momentary. (Match the style you selected on the FS-7 itself.)
  46. B

    Wish Accurate Knob Dial Position

    Typical amp control arc: 300° (7:00 to 5:00 on clock face) Axe-FX III front panel display: 270° (7:30-4:30) Axe-Edit III: ~276° (7:24-4:36) (Estimated with angle measurement tool in image editor)
  47. B

    Auto Engage Wah plus other Effects

    Anything other than the Bypass parameter, like Balance, which doesn't use very much CPU% vs. certain other parameters. Make the modifier have no impact on the actual parameter, e.g. start/mid/end = 0%, MIN = 0.0 with the Balance modifier approach.
  48. B

    Auto Engage Wah plus other Effects

    Which parameter did you add the modifier to in the other blocks? A bypass modifier makes any autoengage settings irrelevant for that block. A modifier on some other parameter should engage/bypass at the same time, if you match the wah's autoengage settings.
  49. B

    Bug? Bug or intentional? Output 2 Copy Output 1 overrides Output 2 Mode

    The last time I checked on the Axe-FX II, Out 2 would have the Output 1 Mode and Output 2 Mode processes both applied. So while your example is possible, the opposite (Out 1 mono, Out 2 stereo) isn't. An Output 1 Mode setting of Sum L+R or Copy L>R makes the copied signal irreversibly mono, and...
  50. B

    Wish Tuner range

    Yes, this would work but it illustrates the issue. I always thought this aspect of the tuner wasn't thought out very well, and it hasn't changed in 16 years of Axe-FXes. The calibration range of 430-450 Hz leaves ~22-cent gaps in the pitch continuum that can't be made to read in-tune without...
  51. B

    Cannot change USB levels

    Correct, the manual shows this in Chapter 3's USB Inputs & Outputs section. USB Inputs 5/6 are a copy of the signal at Input 1 (front INSTR or rear Input 1 jack), after unity gain compensation (so your Input 1/Instrument A/D sensitivity setting won't change the level seen/heard), without any...
  52. B

    Please help me integrate amps and outboard with my AxeFXIII (I’m begging over here)

    If you mute before the amp blocks (e.g. balance Out 3 L/R) you'll be summing any noise from the unused amp when you're just using one amp. To prevent this it might be preferable to use a Vol/Pan block after the In 3 block, Input 3 mode = stereo. Then use different Vol/Pan channels to determine...
  53. B

    Wish Scene Ignore for IR Player

    I think the mention of separate room & headphone correction IRs might be getting skipped over here. It seems Saarang wants to set the IR Player block to a certain channel (A or B) to suit the monitoring setup, and have it remain on that channel from there. Laxu's Out 1/2 example could work, but...
  54. B

    Axe-Fx III Firmware 23.02 Release

    The global Spillover setting only affects clearing of buffers during preset changes. I'm not noticing any cases of Gapless = On preventing effect trails within a preset, if set up to work with Gapless off. It might be good to post a preset or recording of what's happening. Yes, adding the...
  55. B

    What does the stereo spread knob do on the mono flanger?

    Mono types use a stereo block configuration, like stereo types but with LFO phase 0°. Stereo spread does the same thing as in other types: sets the output panning of the two delay lines generated from input L & R signals. With a mono input signal and LFO phase 0° this doesn't really do anything...
  56. B

    Wish Global Output Block options...?

    I think you might have the wrong idea about how manual controllers work--each preset stores its own manual values, so adjusting them in one preset won't affect levels in other presets. However, this could work with an External Control as modifier source, adjusting Ext Ctrl Initial Value(s) in...
  57. B

    Is there any significant advantage to FAS expression pedals and humbuster cables vs competition?

    The SP-1 can be used with autoengage, but (for blocks using AE) the switch would need to control something other than a bypass modifier. For example: shunt parallel to effect, both routed into a multiplexer w/ switch assigned input select modifier. If you can deal with that, the SP-1 is more...
  58. B

    Wish Bi-directional scene controller value/percentage update?

    This could be tricky to program and confusing to users. Imagine you use a scene controller with a modifier at defaults except for curve like /\ and you set the parameter in the block to minimum. Should the scene controller jump to 0 or 100%? Remember that scene controller could be controlling...
  59. B

    Should I buy a mkI at this point?

    Obviously not, because think about the math you just did there. If a future Super-Turbo model doubled the processing power (a gain of 100%) your 80% preset wouldn't drop to 0% on the super-Turbo. What you should have asked is: Does the CPU gain of 25% (5/4 that of the non-Turbo) translate to...
  60. B

    Things Everybody Plays Wrong

    Another common one might be Eye of the Tiger, where it goes Cm Eb/G Ab with guitar playing x355 36 466. I probably remembered the sound of Weird Al's "wrong" version Gm Dm Eb (key changed to fit Al's range, most likely) for years before listening to the original very closely.
  61. B

    Simplest way to bypass Out3 > In3 ?

    This will only work (put the Input 3 block into the opposite bypass state from how it was stored, without needing to press the switch after every preset change) with a switch (or expression pedal or any potentiometer) connected to a Pedal port set to Type = Continuous. Assigning a switch or...
  62. B

    Simplest way to bypass Out3 > In3 ?

    If the presets were saved with the block engaged, this would mean in the no-fx-loop scenario each preset would be silent when first loaded until that switch was pressed, which probably isn't desirable on a gig. If you use the editor and copy the In 3 block from one preset with the modifier...
  63. B

    Things Everybody Plays Wrong

    2. R.E.M. - The One I Love (intro riff) In the main, loudest electric part, that's a bend from F♯ to G on beat 3. I couldn't find one video where someone plays it that way, aside from Peter Buck live. Another part doubles the bass an octave higher, also shown here.
  64. B

    Delay or Tremolo used on this sound?

    There's a "start phase" parameter on the II & III that starts the LFO from a certain point when the block is engaged. So, you can use a bypass modifier to do that with the envelope controller or (better IMO) an ADSR that quickly stops and restarts the LFO. With the ADSR the tremolo won't stop...
  65. B

    Wish Tremolo/Panner block: Don't stop LFO below trigger threshold

    When using a trigger threshold in the Pan/Trem block, keep the LFO running when the signal falls below that threshold. Just make it restart the LFO when the level moves from below to above the threshold.
  66. B

    Simplest way to bypass Out3 > In3 ?

    1. Add a bypass modifier to all of them or 2. Use FracTool's batch setter to change & save bypass state in multiple presets as needed
  67. B

    Simplest way to bypass Out3 > In3 ?

    Bypassing the In 3 block will act as a loop bypass when Out 3 & In 3 are connected like that. You could assign an External Control as In 3 bypass modifier and adjust the Ext Ctrl's Init. Value in the setup menu as needed. Or, maybe use a Control Switch as long as you remember to set its CS Per...
  68. B

    Things Everybody Plays Wrong

    I think it was (Axe-FX III) factory preset 15 (Recto 2) scene 6, Recto2 Red Modern amp. Also wah engaged (Dimebag squeal trick) with pedal around 75%.
  69. B

    Scene revert

    I don't know about all of that. You said "Is there a way to move the scene revert to within the layouts/preset?" I figured Matt's answer meant there's currently no way for a user to assign scene revert to a switch. Here's something to think about: The Axe-FX III (and II) can already have Scene...
  70. B

    Scene revert

    I'm pretty sure Matt was just saying it can't be done then/now. I doubt there's something about the hardware that prevents it from being added, if FAS felt it was worth the effort.
  71. B

    Things Everybody Plays Wrong

    Thanks--I tried to get the dimensions pretty authentic (looked at a photo of a Jem & cut from a paper plate in about 20 seconds).
  72. B

    Things Everybody Plays Wrong

    Maybe not everybody, but if you check a bunch of covers on YouTube or anywhere... close enough. I'll figure out some more things to add here eventually. 1. This pinch harmonic thing from Steve Vai - Erotic Nightmares (Passion and Warfare, 1990) (end of tutorial)
  73. B

    Axe-Fx III Firmware 23.00 Release Candidate (Beta #6)

    Oh yeah, this problem I commented on when beta 2 was out last week. Adding an Output 2 block no longer overrides the Copy Out 1 function. The leveling tool and meters in the Out 2 block will show the final output level that would go to Out 2 if the override still worked correctly.
  74. B

    Axe-Fx III Firmware 23.00 Release Candidate (Beta #6)

    Yes, this causes it and it will happen with Output 1 as well. Meters page on hardware has no issues, and obviously the meters in an output block can't be viewed on the hardware if the block isn't in the grid.
  75. B

    Delay or Tremolo used on this sound?

    That tremolo has an attack & release of ~20 ms, so a square type Tremolo/Panner block is going to sound a little too abrupt. The pan/trem block does apply some unavoidable exponential damping that makes ultra-choppy trem sounds with ramps in the 0-10 ms range impossible, but that's a separate...
  76. B

    Looper Quantize

    It's not doing that here. I set the tempo to 30 BPM and made a quarter-note scale with the synth & sequencer. (Since the sequencer min. rate is 1 Hz this requires 2 steps per note.) I pressed record (front panel knob while viewing looper controls) when the scale restarted and intentionally...
  77. B

    Looper Quantize

    It might still be good to give some more information or post a sound clip demonstrating the problem you're encountering. Are you trying to tap a tempo along with an external click source or some other music and finding that loops drift with each repetition? If you don't get the tempo exactly...
  78. B

    Looper Quantize

    Hey everyone, don't skip past the part I made bold in post #9. If your recording start-end interval was slightly longer than intended, the Axe-FX III looper won't maintain the same syncronization to a steady accompaniment/click as your live recording pass. The Axe-FX II adjusts for this by...
  79. B

    Axe-Fx III Firmware 23.00 Public Beta #4

    The release notes say "input" is the default for "these types" but doesn't specify which types. Resetting a channel selects Medium Room type. I assume "output" is the intended default for that. The types that default to "input" are Echo Hall, Echo Pitch Plate, Echo Room, Fields of Pyrite, Large...
  80. B

    Looper Quantize

    What's the source of the click you mentioned? It's important to realize the looper won't delay the start of recording to align with the Axe-FX metronome & tempo LED blinking (or add buffered audio from before you pressed record if it's 0-0.5 beats after the Axe-FX click), because that might not...
  81. B

    Scene revert

    Glad to help. A couple other things that might be good to know: With additional bypass functions assigned to the same Pedal #, the blocks will toggle together in scenes where their states match, or oppositely in scenes where they're stored in opposite states. You can exclude all channels or...
  82. B

    Scene revert

    1. Go to Setup (push "E" knob while on the Home screen) and enter the I/O menu. Page > to "Pedal" and make sure your switch's Pedal port # is set to "Latching". 2. In Setup: MIDI/Remote: General, set "Eff. Bypass Mode" to "TOGGLE". 3. Page > to MIDI/Remote: Bypass. Choose one block to test...
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    Wish It's there, my screw-up! (Please add pitch +/- indicator for Pitch Control on Performance Page)

    Which pitch block type and parameter are you referring to? I'm seeing the value displayed for any parameter that would alter pitch here: Whammy control, VC & Chromatic/Diatonic shift/harmony values, master pitch, detune. (The page shows the value of the parameter you last selected or adjusted...
  84. B

    Scene revert

    A momentary switch would work for testing; hold it down to simulate latching in the pressed state. I'm wondering whether "Follow hardware" vs. "Virtual Toggle" in the FC Controllers: Remote menu has any influence on how the switch works when used as a stand-in switch. Or, does that only affect...
  85. B

    Scene revert

    This thread isn't about that, but do you have an exact quote or link to something FAS said about it being impossible? For @Bruno Ferreiro : I think it's been mentioned that external latching switches currently can't work properly as stand-in switches for FCx tap functions, even if you configure...
  86. B

    3rd finger vs 4th finger and speed

    *Vaughan (Please fix spelling in signature immediately.)
  87. B

    Question about synth, scene changes

    More specific to this part you described: You could just have one scene controller set to 0, 50, 100% on Controller channels A, B, C in all scenes. Set the voice frequencies to sound the first Am voicing, and configure shift modifiers on the C & E voices so those 3 SC values make them go C-D-C...
  88. B

    Scene revert

    How are you actually assigning those switches to engage/bypass blocks? Scene revert won't apply if there's a bypass modifier, but you could use a Control Switch (or external switch assigned as a stand in for a control switch) as bypass modifiers and put the CS Per Scene to on/off as needed.
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    Can you Split Pedal 1 output signal of TRS to 2 TS for a Wah exp AND a Volume Pedal?

    I assumed the question was about this, since a TRS to 2xTS Y cable was mentioned. You can do other switching stuff to have one pedal control different things at different times, but the question didn't seem to be about that. No, two pedals can't connect to one pedal port with a Y cable and act...
  90. B

    Can you Split Pedal 1 output signal of TRS to 2 TS for a Wah exp AND a Volume Pedal?

    The question was whether two pedals could connect to one Pedal port with a Y cable and control different things, not just switching the function of one pedal. Also it is possible to have the wah auto-engage, but you need to use a different method than a bypass modifier to route signal through...
  91. B

    I'm missing something easy but I can't figure it out...

    If the goal is fading between dry & pitch, two modifiers would still be needed (for dry & pitch level), but they'd be in separate blocks unless you add a mixer block. That can work fine but it would be slightly more CPU% and hassle to adjust modifiers with no real benefits IMO.
  92. B

    Question about synth, scene changes

    The easiest solution is probably to have 3 scene controllers assigned to synth voice shift values, then switch Controllers block channels (each channel has its own set of scene controller values) to get 3 or 4 chords while staying on one scene, then switch scenes and repeat. That can get you 32...
  93. B

    I'm missing something easy but I can't figure it out...

    He's saying the signal gets too quiet as mix is increased with a pedal. The "problem" is the pitch block's mix law and/or voice level not being able to exceed 100%. A level modifier like mr_fender described plus a slight increase of the mix modifier's "mid" value (optional, to make perceived dry...
  94. B

    Can you Split Pedal 1 output signal of TRS to 2 TS for a Wah exp AND a Volume Pedal?

    It's not as simple as "add Y cable, unlock extra pedal item in menus" but two pedals could control different things via one pedal port, with some limitations compared to using two ports. An expression pedal with a mimimum volume/value knob that has a range roughly 0-50% would be the right thing...
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    Axe-Fx III Firmware 23.00 Public Beta #4

    Your preset has something in common with another "block flickering on/off rapidly" post a few months ago: Viewed with FracTool, there are a couple "ghost" modifiers for blocks that aren't in the preset (Wah 1 & Vol/Pan 2) with no source selected. The Wah 1 modifier has autoengage enabled and...
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    Dominic Miller MESA Lonestar Rig - My Songs Tour 2023 - Fractal FM9 Patch

    With the same amp settings and no stereo effects (or different effects) before the two amps, no--same result as one centered amp block.
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    Axe-Fx III Firmware 23.00 Public Beta #2

    I'm guessing Rex may have thought you were talking about the Out 2 Level knob. I verified the problem you described: With "Copy Output 1" enabled in I/O: Audio: Output 2 Configuration, placing the Out 2 block in the grid won't override the copy function (for the analog Output 2 jacks) in this...
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    Output 3 setup question

    Output 3 Mode: doesn't matter in this example as the signal would be mono at that point. Input 3 mode: Use Left Only or Right Only, whichever In 3 jack you're connected to. Since the Freqout is mono out, Sum L+R would just add noise from the unused In 3 jack. Out 3 Boost/Pad: Setting this as...
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