gittarzann
Power User
wynsmth said:How is that ulcer you were whining about during the early days of the waiting list when you were whipping up the frenzy for the Axe II?
What a pillock.
That means D*!K, right?
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wynsmth said:How is that ulcer you were whining about during the early days of the waiting list when you were whipping up the frenzy for the Axe II?
What a pillock.
Instant gratification seems to make us forget that we don't know what goes on behind the scenes. We assume. Before 7 elevens and ipads and stuff there used to be a thing called patience and civility
You realize that the overwhelming majority of companies neither solicit nor entertain any customer feedback at all, right? Much less at such a personalized level. Get some perspective.
I know man. Sorry to be a bit "real" but I really did say it with smiley face intentions. It is frustrating. We did buy the unit with certain expectations and assurances, and if they don't work it's easy to get frustrated.Whiny? I did my research on the Axe FX II. Everyone here told me that it would work fine with PT 9. I have been pulling my hair out since 12-07-2011. Avid claims to have never even heard of the Axe FX II. FAS says it's Avid's issue and that they refuse to help them. Everytime I think I am making progress something craps out on me. My USB related threads' motives are only to resolve my issues. All FAS told is that "We are anti Pro Tools here. We don't even have a PT rig to test on." I think that if they are going to advertise and sell something as a recording interface they should be able to test and verify its functionality with all major DAW's. Love it or hate it PT is one of the most popular and functional DAW's out there. I just want my $2200 investment to allow me the creative freedom to make my music. My 'whiny-ness' (IMHO) has been mistaken for frustration over a complete and utter lack of support. I am not the only frustrated 'II as an audio interface user'. This feature was my main consideration in upgrading from my Ultra. Anyway, this is a total derailment. I just felt I needed to explain myself. I do that sometimes... even to a fault. Man you're lucky you put those smiley face in there. Seriously, those things help set the tone of a message. As for the 'shotgunn interface fund'. I only wish to use my II as my interface.
I've been a member on the forum and a user for 3 or 4 years ,starting with a standard to ultra to AxII. I read a lot of the posts ,but usually don't post a lot, till i find theres something to contribute. all the while I've read posts after each large improvement ,bashing it ,and implying they hate what has happened to their sound,(or what they may be use to)then when the next one comes along the same ,can't live without the one they previously hated,Go figure? Guys this product is soooooo far beyond anything that has ever been released it's ridiculous ! my experience so many times in the past with gear has been to spend a large amount of hard earned money on the latest and greatest thing.only to turn around to the release of a later and greater thing that i have to spend the same amount on or more!It's endless! Cliff has given us a gift here that many don't realize or they take for granted ( a new latest and greatest product consistently being evolved ,at (NO CHARGE!after your initial purchase) I've struggled at times to get wrapped around the changes and improvements,only to find when a little time and patience is applied it's better (EVERY TIME)!most of the time Way better! We could have NO UPDATES till the release of the next product (and it's pricetag!)Here's a what if? what if Cliff one day gets his can full of this and stops improvements? What if he had just kept it for himself? Please appreciate what we have here! And appreciate Cliff for what he is and what he does with this piece of genius! I've learned Father knows best! Trust him with it ! You'll be glad you Did!
And there it is in a box of chocolates! That's all i've got to say about that!
The thing everyone here seems to ignore is that Branchinelli's (on Long Island) has the best white pizza anywhere.
i say just switch from protools? if you switched from protools, would you still need a selectable usb?
i'm looking at using ableton and logic for what it's worth, and perhaps reason if it will work...
I absolutely agree with RDH. Shotgunn,I totally get and understand where you are coming from. But for now it's best to deal with things the way they are. Cliff already said he will look in to adding that feature again. The best thing is using another DAW for now. You know we should all be proud that we are members of a community that really does listen. The benefits we get from Cliff's philosophy about the company are just so phenomenal. Where else would we get a product that updates until there is no possibility to update it. I am not saying that Shotgunn was whining or something,but you know if Cliff really decided to end the way he handles things at FAS,then there would have been an Axe Fx 16 or something by now.Considering there were 11 firmware updates on the previous one. We should all appreciate how Cliff really spends time with this product,we get so much benefit out of one purchase. There is no other company that handles things the way Fractal Audio Systems do. On top of that this product is way ahead of it's time and such technology was only a dream some years back. My best advice for now would be to just go with the changes,I feel that feature will return and maybe using another DAW like "Logic" would be a pretty neat thing to do for now. It is quiet possible that Pro Tools doesn't want to really collaborate with FAS. They have their own product that claims to do things similar to the Axe FxII,but is certainly not up to the Axe FxII standard. They see FAS as a competition,and it is possible they don't want to cooperate. I am certain that with the dedication that Cliff and the team have,they would have certainly tried to make it compatible with Pro Tools.Regardless of whichever change takes place in the Axe FxII firmware. But you must also see the other side,Pro Tools probably didn't want ends to meet that way.
All I can say is no body is wrong here and I would also like to give a big thanks to Cliff and the FAS team for always being true to the customers and their dedication in to improving the product.
Cheers.
This past weekend I believe I may have found a workaround to my USB/PT woes. Basically things will work fine for a while then they stop. I found that when things start to crap out on me I change the playback from Axe II to anything else. Restart the session and then change it back to Axe II and restart again. This worked several times for me. It kind of sux, but it sure sux a LOT less than an entire day of face palming. If this workaround proves to be consistent I'll be content for a while. Anyway this actually has nothing to do with my OP in this thread.
I still want to ask m@ to create a dedicated DAW section of the forum to help users avoid what I have gone through. In fact, I'll do that right now.
Eh!!! Wrong. As a Chicago native I am going to have to disagree. I have had some NY pizza before and IMAO... No bueno!!! The thing with Chicago pizza is this... If you roll the dice and pick some new place from the phone book you're gonna get a GREAT pizza. Some are better than others, but most are at least very good.
You can NOT get a good stuffed pizza in many places, except NYC. I don't mean deep dish, I mean CRUST - SAUCE/CHEESE/MEAT - CRUST. I found a place in Fort Worth that makes it dead on for NYC & I'm quite content.
I just specifically upgraded to PT 9 so I can use my II with it. I am far too invested in PT to switch now. Especially since I got this new keyboard overlay for my MBP. $30 man!!! I'm in too deep. Not to mention I finally started to learn all the keyboard shortcuts.
Knowing that the Axe Fx II would sweep the market they sort of made sure people can't enjoy it with their latest offering,at least not be able to enjoy it via Usb of the Axe FxII.
Excuse me...a bit far fetched, no? It's a USB audio interface protocol. The fact that it's also a guitar processor or whatever makes no difference. Avid, or any other multitrack audio software, doesn't collaborate with every audio interface manufacturer out there. Software and hardware companies need to follow the USB protocol.
... Bottom line is i guess FAS and Pro Tools isn't a good combination.
Not to get off topic, but I think it's silly that people are suggesting to switch from Pro Tools. FAS may be "anti-Pro Tools" (if that's what they really said), and Avid's business model may be questionable at best, but PT is still the de facto DAW in most professional studios
I'd be frustrated too if I had issues using the II as an interface, since this is a big selling point of the unit. But I guess I've been lucky though...I've had the II playing nicely with PT 9 for the most part. I actually just upgraded to PT 10 but haven't installed it yet. Gonna clone my HD before I install incase I have any problems.
One thing I really miss being in LA is NY pizza.
@shotgunn; have you tried the Digi User Conference (DUC) or Daw-Mac? Not sure if the DUC is stilled called that after Avid dropped the Digidesign name, but there may be some help around there. The Daw-Mac list (on yahoo) has been around for a long time and has some very experienced PT users, the kind that run big facilities, in addition to composer types etc, with project studio setups. It's not limited to PT but any DAW on a Mac.
I still have PT7 and a MBox around for opening projects but typically migrate them to Digital Performer or Logic. From what I understand about PT9 and up is that there are serious limitations to monitoring the record source, especially while trying to do a punch in/out.
I know you bought PT recently but may want to consider selling it and for $200 going with Logic. Not what you want to hear but...
Getting OT from the thread but thought this may help.