Price of a new Deluxe Reverb is nuts

Found someone talking about the price history of a Deluxe Reverb in 1964 being $229 (https://www.harmonycentral.com/foru...tailing-historians-fender-amp-prices-in-1964/) source cited in the post

Adjusted for today’s money, that’s about $2400 for a handwired Deluxe Reverb. With economies of scale, not sure why Fender feels the need to charge so much for their amps nowadays even with the global market the way it is now.

Fender seems to be doing a lot of goofy stuff these days, bless their hearts.
 
Found someone talking about the price history of a Deluxe Reverb in 1964 being $229 (https://www.harmonycentral.com/foru...tailing-historians-fender-amp-prices-in-1964/) source cited in the post

Adjusted for today’s money, that’s about $2400 for a handwired Deluxe Reverb. With economies of scale, not sure why Fender feels the need to charge so much for their amps nowadays even with the global market the way it is now.
Fender probably only sells a few of them and then prefers to sell them to rich "collectors" in order to make some money with it. The modelers leave their mark. That's the future for non asia tube amps. The same with the guitars.
 
Found someone talking about the price history of a Deluxe Reverb in 1964 being $229 (https://www.harmonycentral.com/foru...tailing-historians-fender-amp-prices-in-1964/) source cited in the post

Adjusted for today’s money, that’s about $2400 for a handwired Deluxe Reverb. With economies of scale, not sure why Fender feels the need to charge so much for their amps nowadays even with the global market the way it is now.
Companies want infinite growth in a finite space.
 
Depends who is doing the wiring. Fender, highly likely. This one - not so much

https://bartelamps.com/signatureseriesdetails/

IMG_5727_crop_800x800.jpg
Very well done but over $5000 ....... if you love it might be worth it. Looks as if it would last a lifetime.
 
Companies want infinite growth in a finite space.
The amps last too long, in contrast to e.g. smartphones or simple modelers. The "problem" is that young people will start with modelers even more and when they have more money, a tube amp will hardly inspire them anymore (too loud, inflexible, etc. for the price). Tube amps have no change to survive in my opinion. They will end like dinosaurs, tube amps are dinosaurs :)
 
Like Gibson and Epiphone. Since covid crisis they all lost their mind. They think, the can take every price. I'm still wondering about the high prices for these Epiphones inspired by Gibson prices.
 
The amps last too long, in contrast to e.g. smartphones or simple modelers. The "problem" is that young people will start with modelers even more and when they have more money, a tube amp will hardly inspire them anymore (too loud, inflexible, etc. for the price). Tube amps have no change to survive in my opinion. They will end like dinosaurs, tube amps are dinosaurs :)
Large, loud but wonderful ;)
 
The amps last too long, in contrast to e.g. smartphones or simple modelers. The "problem" is that young people will start with modelers even more and when they have more money, a tube amp will hardly inspire them anymore (too loud, inflexible, etc. for the price). Tube amps have no change to survive in my opinion. They will end like dinosaurs, tube amps are dinosaurs :)
I dont really care if tube amps survive, mostly because music is one of the first activities humans did and wont be going anywhere. For all the beginners with modellers theres player parents “only a tube amp!” etc. Until no one can afford either, there will be both.

So long as new players are inspired to learn, what they use simply doesnt matter.
I just picked up an all original 69 DR for $2000, and a 66 Twin Reverb for $1,200. Fender has lost their minds with their hardwired amps.
View attachment 160103
So long as the panel is silver, they can be affordable. Change to black and laugh at the price though.
 
I dont really care if tube amps survive, mostly because music is one of the first activities humans did and wont be going anywhere. For all the beginners with modellers theres player parents “only a tube amp!” etc. Until no one can afford either, there will be both.

So long as new players are inspired to learn, what they use simply doesnt matter.

So long as the panel is silver, they can be affordable. Change to black and laugh at the price though.
When the silver version came out it was despised in my circle, really different. That was the first post-CBS one, wasn't it?
 
I dont really care if tube amps survive, mostly because music is one of the first activities humans did and wont be going anywhere. For all the beginners with modellers theres player parents “only a tube amp!” etc. Until no one can afford either, there will be both.

So long as new players are inspired to learn, what they use simply doesnt matter.

So long as the panel is silver, they can be affordable. Change to black and laugh at the price though.
I laugh at $3000 + for a new hand wired Fender. It’s not even made as well as the old ones. Bean counters are gonna do their thing.
 
Very well done but over $5000 ....... if you love it might be worth it. Looks as if it would last a lifetime.
My Sugarland 1-12 combo was closer to 3.5K. Which is about the same as the Fender, and not that much more than an FM9 and a good FRFR. Totally different tools but the same end goal - making music. I'm lucky to have both as they serve a different set of use cases.

And yes, it will outlast me.
 
When the silver version came out it was despised in my circle, really different. That was the first post-CBS one, wasn't it?
I’m not sure when post-CBS starts, though it seems like a fact I would have picked up.

I had a 76 pro reverb for a bit, not realizing it didnt have the headroom for the band at the time. Later I bought a black panel reissue twin, which sounded great as well.

Speaking of prices, right now a store has (guessing both consignment) a 76 DR103 and a JMI AC15. The JMI is listed at $1k more.
 
I’m not sure when post-CBS starts, though it seems like a fact I would have picked up.

I had a 76 pro reverb for a bit, not realizing it didnt have the headroom for the band at the time. Later I bought a black panel reissue twin, which sounded great as well.
CBS bought Fender at the beginning of '65, but it took a few years for changes to happen. Silver faces started in '67 (as did bigger Strat headstocks). A lot of stuff in those days was a hodgepodge of parts, often amps had components from different years, just depending on what they had on hand.

I remember in the mid 70's I bought a blackface Pro Reverb for not a lot of money. The whole "pre-CBS" narrative was just starting to get entrenched. In the 80's you could often get an early silver face for a song, and pre-CBS Strats were starting to get more cred. I bought a '65 around 1980 and it wasn't crazy expensive, traded it for a frankenstrat that was a '58 neck on a '63 body a few years later. Then through the 90's, "post-CBS" guitars were not popular at all. But if you wait long enough, things can become "vintage" and magically they are better 🙃
 
Oh im witnessing “70s therefore Amazing” with a chuckle, because its largely the same members i saw talking down on them in the 2010s…
 
Back
Top Bottom