Yeah I'm talking about real speakers.I assume that by saying "one speaker" you are talking about real speakers and not cab blocks.
I suppose you are facing a speaker positioning issue. If you are listening the exact same sound coming from two different speakers, there may be some phase cancellation if your head is not placed at the exact same distance between the two speakers.
Yea that's where I got the idea to play with just one speaker, and after I tried that I found out that it feels better to me.Most people are used to playing just one amp, thus a mono source
Stereo sounds reallly cool, but it’s a bit of a different sensation
Do you feel like I do when you try to play only through the studio monitors?I'm using a pair of powered studio monitors (on output 1), and then a Matrix amp into a XiTone cab (on output 2) in summed L+R. Awesome! Backing tracks only come out of the studio monitors, so I can balance the volume levels with the two volume knobs on the Axe.
Usually, I set it up so that the main sound from the guitar comes from the XiTone, and then the studio monitors have just enough guitar output to give it a more rounded feel. It works really well. The XiTone cab is physically off to one side and significantly in front of the studio monitors.
Yeah obviously reverbs and effects sounds better in stereo, but I'm talking about just dry guitar tone.I like two ClR better than one. Things like rotary, reverb etc sound “better” in stereo
Lately I’ve been using one clr as a “dry” and then having my studio monitors playing the wet signal from a parallel delay or reverb. Sounds massive as it’s essentiall a wet/dry/wet rig, and in a smaller room it’s essentially being wrapped in glorious FAS guitar tone
I'm playing in a studio, centered between a pair of studio monitors.If you are running a mono signal to two different speakers, you are probably experiencing comb filtering. You can read about it online.
Yes.I'm playing in a studio, centered between a pair of studio monitors.
Can it still be comb filtering?
Do you feel like I do when you try to play only through the studio monitors?
How come(b)?Yes.
How come(b)?
How come(b)?
Just read about that, might be it, even though I'm in a dead room with bass traps as well.Possibly boundary interference.
Just read about that, might be it, even though I'm in a dead room with bass traps as well.
It's gotta be very subtle since I can't actually hear a difference, just feel it.