That, however, is a legit reason to put DLY before CAB.Jan Geerts said:I might place an fx loop to out 2 to connect a guitar cab while stereo out 1 goes to FRFR
Maybe you don't know how IRs work. They are linear like an EQ. So what happens is: The AMP-signal passes the CAB-block, which colours the original signal. If you put the DLY after CAB, the CAB colours the original signal and the DLY gets added. If you put DLY before the CAB, the original signal is delayed (according to the mix-parameter) and then the colouration are added. So no difference, as addition is a linear operation.I think because of the nature of guitar speakers with their coloration, the delay gets that color when it's in front.
Maybe you don't know how IRs work. They are linear like an EQ. So what happens is: The AMP-signal passes the CAB-block, which colours the original signal. If you put the DLY after CAB, the CAB colours the original signal and the DLY gets added. If you put DLY before the CAB, the original signal is delayed (according to the mix-parameter) and then the colouration are added. So no difference, as addition is a linear operation.
(All of the above is cr*p if I'm wrong about DLY being linear time invariant.)
That doesn't work as long as the CAB-blocks are set to MONO.GreatGreen said:(...) or hard pan both your cab blocks to opposite sides.
The Cab block, when set to MONO, always sums incoming signal to mono, applies cab emulation, then outputs a dual mono signal.
Either place your delay after the cab blocks, or use a single Cab block set to stereo to fix the issue.
Here's the diagram from the manual: