yes, put the tonematch block first.
i had another idea last night that kept me from sleeping: guitar tone exchange! imagine sharing our pickup tonematches. with the tonematch, you not only get the sound of the pickup, but the entire guitar....wood, pick and all. if someone had a nice 59 les paul with sweet pickups, we could all use that tone.
some ideas i had for a guitar match exchange:
1) send in your guitar tone and receive a link to the vault where all other guitar matches can be downloaded. you have to share to get anything. why? anybody that donates his tone had to buy the guitar and spend some time to tonematch it....that has to be worth at least some respect. too many people sit back and enjoy the free stuff and never contribute anything....at least this way they would have to at least contribute the tone of their guitar. even cheap guitars and can give up some awesome tone, so all would be welcome.
2) name your tonematch according to model/type. for example: my EMG tonematch is titled "EMG 81". could use simple stuff like "Epiphone stock", "Daisy Rock" lol.
3) I'm going to make a youtube video outlining the process to make a tonematch, and how to use the tonematch from someone else.
4) i will start a dropbox folder with the tonematches and give out the link to everybody that donates their guitar(s) match. i have 5 different guitar matches already.
i think this idea will really open up some possibilities. imagine that i have a six string guitar and i need to do a seven string part; i could borrow the tone of Der JD's EMG 707's to make sure that my guitar sounds like it should when tuned down.
some basics:
the tonematch block needs to be the first block in order to catch the guitar tone properly.
you must play a bunch of chords and strings to gather all of your tone.
the tonematch block can be saved, named and recalled in any preset you desire to use tonematch in.