rcm78
Experienced
Hmm, I don’t have the Marv mix 10.Better yet....LT TV Mix 7 panned left, TV Mix 2 panned right, then add the LT Marv412 Mix 10 to both left and right...."glorious"
Hmm, I don’t have the Marv mix 10.Better yet....LT TV Mix 7 panned left, TV Mix 2 panned right, then add the LT Marv412 Mix 10 to both left and right...."glorious"
My experience as well. Of course I’m not cranking it to reach the rafters!I tried it. Good tone but very dark sounding for my taste. Guessing this is a live only tone where it is being run thru massive PAs. Also, the amount of noise on the Reverse Delay tone was way too much.
No ..., it's a Legacy TV Mix Cab ....Does this patch use DYNACABS, by default , when loading ?
Yes I get that too. Was thinking it's my pickups being too hot. Maybe Neal's guitar pups are low output.?I tried it. Good tone but very dark sounding for my taste. Guessing this is a live only tone where it is being run thru massive PAs. Also, the amount of noise on the Reverse Delay tone was way too much.
Yep - could be. I was using a Jackson Soloist with a JB in the bridge that is set fairly low. Probably a bit hotter than what NS uses. Closest guitar I have to his usual Les Paul is a PRS single cut with stock low output pickups. I will try that guitar when I get back home. Many of these GoT presets, while they sound fantastic and are amazing, are pretty dark sounding and I believe they are meant for live use at CRANKED volumes. I mostly use my Axe to record, so for me they are a bit dark. Great gift from the Fractal team and it really allows me the chance to see how pros actually dial in their tones. A win for everybody.Yes I get that too. Was thinking it's my pickups being too hot. Maybe Neal's guitar pups are low output.?
It is close. I’m sure that thing I’m talking about was a lot of the studio. When I saw them (first tour with Perry, opening for Montrose with Hagar singing…yeah I’m old) Neal had Peavey Mace heads sitting on top of ragged Marshall cabs and playing an Aria Pro II PE with a Kahler trem…Check out Cooper Carter’s video, he does use one of the scenes demonstrating a convincing rendition of Lights. So I think the preset does a pretty good job covering the 70’s/80’s period of Journey.
The Peavey Mace when turned up can knock birds out of the sky at 1,000 yards. That's a weaponized amp that I'm glad not too many people use at a gig anymore.Think FAS is clamoring to add the vaulted Peavy Mace to the collection