MazerRackham
Member
I just unboxed my new FM9 Turbo today! WOOT!
This could be obvious to folks already or I could be imagining the difference, but...
I think I've found an efficient use of the amp channels in the FM9 which makes amp switching even faster. While switching amp channels between scenes in the FM9 is already fast enough that I don't think I would really care about it in a live mix, if you have both amp blocks in series, you can mute/unmute the amp block as you switch scenes to switch even faster. If you're not running dual amps, this lets you have an amp block queued up for the next scene, then in the next scene, have the channel on the bypassed amp switch. I think if you're always changing the channel on the bypassed amp, you basically get to pre-load the channel change ahead of the next scene change.
I haven't done any scientific testing, but it seems like chaining together amp changes between scenes when you progress from one scene to the next (as I usually do) makes the change extremely fast. Anyone else try this?
This could be obvious to folks already or I could be imagining the difference, but...
I think I've found an efficient use of the amp channels in the FM9 which makes amp switching even faster. While switching amp channels between scenes in the FM9 is already fast enough that I don't think I would really care about it in a live mix, if you have both amp blocks in series, you can mute/unmute the amp block as you switch scenes to switch even faster. If you're not running dual amps, this lets you have an amp block queued up for the next scene, then in the next scene, have the channel on the bypassed amp switch. I think if you're always changing the channel on the bypassed amp, you basically get to pre-load the channel change ahead of the next scene change.
I haven't done any scientific testing, but it seems like chaining together amp changes between scenes when you progress from one scene to the next (as I usually do) makes the change extremely fast. Anyone else try this?