BobXX
Inspired
Hypothesis:
Consider that example chain, no far from typical ones, PIT1 is used as a Virtual Capo/Octaver,
PIT2 - placed after AMP/DRV distortions - for Harmonizing effects:

PIT2 uses the same Pitch Detection with just an additional deviation parameter like: "Pitch Detection Adjustment"
That Pitch Detection Adj simply lets the user control how the Harmonized Voices logic is driven based on the detected pitch available, with e.g. a +- 12 semitones adjustment range.
Example:
PIT1 is set for detuning (meaning Virtual Capo) by 2 semitones
PIT2 can be set to work with "Pitch Detection Adj" -2 semitones to correct the internal logic.
There may be a case PIT1 is used as "detune" effect, maintaining the original signal as the main one,
since the PIT2 cannot know the will of the user: in that case the "Pitch Detection Adj" could be set to "0".
EDIT:
SYNTH block has a "PItch Detector": what about letting the use of a PITCH2 whenever the SYNTH block isn't in use?
NOTE: for people interested in this subject, check also also this thread, where I split 1 stereo PITCH in 2 mono ones...):
- some people have suggested that the absence of the two PITCHes is due to the availability of only one Pitch Detector.
While no one is certain, I'll start with that assumption - It was also said that splitting Virtual Capo and Harmonizer blocks won't simplify anything: it will require anyway 2 PITCH blocks
- Hope there's enough memory left to add another Pitch block to the FM9's effects arsenal

- no CPU issues
Consider that example chain, no far from typical ones, PIT1 is used as a Virtual Capo/Octaver,
PIT2 - placed after AMP/DRV distortions - for Harmonizing effects:

The "concept..." is:
PIT1 uses the Pitch Detector.PIT2 uses the same Pitch Detection with just an additional deviation parameter like: "Pitch Detection Adjustment"
That Pitch Detection Adj simply lets the user control how the Harmonized Voices logic is driven based on the detected pitch available, with e.g. a +- 12 semitones adjustment range.
Example:
PIT1 is set for detuning (meaning Virtual Capo) by 2 semitones
PIT2 can be set to work with "Pitch Detection Adj" -2 semitones to correct the internal logic.
There may be a case PIT1 is used as "detune" effect, maintaining the original signal as the main one,
since the PIT2 cannot know the will of the user: in that case the "Pitch Detection Adj" could be set to "0".
EDIT:
SYNTH block has a "PItch Detector": what about letting the use of a PITCH2 whenever the SYNTH block isn't in use?
NOTE: for people interested in this subject, check also also this thread, where I split 1 stereo PITCH in 2 mono ones...):
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Fractal for my rackmount rig (AXE FX III) and the equivalent floor one (FM9) to be used depending on stage and transportation possibilities.
