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  1. F

    Using the Fractal's reverb, as an alternative to other outboard reverbs.

    Mercenary Audio has something which intrigues me: the Bricasti M7 outboard reverb unit, whose price point is at the far outer end of my capabilities, and yet which seemingly promises some beautiful verb. In my opinion, no effect is more valuable than reverb. And yet here I have in my...
  2. F

    Acoustic - Piezo -> Fractal -> Acousticy for recordings?

    I love acoustic guitar in my recordings. Due to ambient noise in my dwelling - two children, I've been considering foregoing a mic'd acoustic guitar in favor of a piezo. There are some high end options out there, notably the Rick Turner Renaissance, which might be best of breed. I've heard...
  3. F

    cable from XLR balanced to Axe?

    If I've got a rack effect with only balanced XLR outputs, and I want to go into the Axe, I need a balanced XLR -to- 1/4 inch unbalanced converter. This much I understand, and I recently bought one, but I was subsequently told by the rack manufacturer that the cable is unacceptable because the...
  4. F

    pre, compression, eq for bass

    I've got excellent rack gear for pre, comp, and eq. And I've got the Fractal AxeFx. I don't see why I'd need to use the Fractal for comp/eq, when I have comp and eq rack units. Wouldn't it make sense to come into the AxeFX from the comp and eq rack units? And if I did that, then wouldn't...
  5. F

    Proximity to other units in rack

    Does anyone think it inadvisable to position the Ultra so close to another unit in the rack that it's flush?
  6. F

    Ultra for mixdown compression and eq?

    Ok, I know technically it *can* be used as outboard gear for mixdowns, ... but I'd like to know if for compression and eq, stereo mastering, whether I can rely on the Ultra, or whether I should really make the investment in some standard analog rack gear, such as API's 2500, etc.? Anyone got...
  7. F

    low pass filter a la moog

    I created this once a few months ago, but now I can't figure out where I found it. Does anyone else here remember?
  8. F

    acoustic guitar -> preamp -> fractal axe (compression)

    How does that signal chain sound to you guys? It would entail a pair of xlr -> 1/4 inch converters for use with the Fractal. Thing is, I don't want to have to buy an analog compressor if I don't have to, and the Fractal is looking tempting in that role. Anyone tried it that way? It...
  9. F

    to go into DAW digitally, or not?

    Analog or digital, that is the question. Going in digitally means I don't have to invest in a pricey converter. The remaining question then is does anyone have a preference? I'm guessing those of you who don't have their DAW set for 48kHz will opt for analog in, but for those of you who...
  10. F

    Axe-FX as outboard eq/comp/limiter/ec

    How many of you have tried using the Axe as a piece of outboard gear, to eq/comp/limit tracks? To do so would mean that the Axe is working in 48kHz, which means that your sessions would be best off in 48 or 96kHz. But this means that your music isn't as transportable to the common CD format...
  11. F

    gain

    The instructions say the input should be pretty strong, occasionally lighting up red. I find when I try that, it sounds like overdriven mud. I also find the only way I get that high is by pushing my treble booster/fuzz's volumes up. Anyone have similar experiences, or advise me to pursue a...
  12. F

    acoustic guitar -> preamp -> fractal axe ?

    (this is for recording, rather than live action) I've got a nice Martin HD-28, excellent mics from Gefell, and I'll be getting a Great River pre. That's over $6000 in tone making gear. With an output from this, I could go analog into ProTools and use plugins to build some...
  13. F

    48kHz sample rates

    As I'm getting slowly ready to record again, I'm planning my strategy. How to deal with the Axe-FX unless you have a good A/D converter. Fractal says to rely on the DAW's converter, but that means I've got to record to one ProTools 48kHz session, and then import it into a 96 kHz session where...
  14. F

    Axe for the long term

    I'm wondering what will most likely break first on the Axe-FX and what I can do to prepare for it. Moving parts: fan, knob. Fan: I'm not sure how many more years it will be easy to buy replacement fans that are compatible with this board. Anybody know? Knob: I live on that knob when I...
  15. F

    recording acoustic guitars direct

    There are some pretty good onboard systems for Martin guitars and such, and there are implementions such as Ovation or, perhaps even higher end, Rick Turner's renaissance acoustic/elec guitars. Now it's possible to go direct via the Fractal, rather than micing a nice Martin with a matched pair...
  16. F

    rumble: rolloff, eq and amps, and fx

    Mindful of trying to avoid muddy mixes - rumble, are any of you rolling off at any of these points (eq, amp, or other fx)?
  17. F

    overs / clipping

    One thing I'm experiencing, a minor complaint, is that the Axe could handle overs better, to my liking. 1) when the light goes red, it should stay red until I turn it off. that way, if I wasn't paying attention while I'm playing, I'll notice later that I've gone over. Maybe this is a...
  18. F

    DAW, sample rates

    Hi all ... so, I've seen the post where Cliff described why he doesn't include a sample rate converter: that software converters are as good or better in his estimation, so he's encouraging us to use our DAW converters, or something close to this effect. OK, so, being that the case, I'm...
  19. F

    For acoustic amp or bass amp modelling, goals.

    Amp emulations for acoustic amp, and for bass guitar. What should I be striving for, when trying to model these?
  20. F

    Matching amp/cab descriptions to their real life models

    Has someone posted a listing matching the amps and cabs in the Axe, to the real names? In the manual, Cliff alludes to what the original models were that he has emulated, but I am not informed enough to get all his hints.
  21. F

    Stupid Question but I had to ask: Axe-FX as mic pre

    My next purchase is a Great River mic pre, unless someone can tell me that the Axe is miraculously a mic pre too.
  22. F

    Fast forward to 2015, what's next?

    I bought an Ultra, but for the basic ingredients, the Standard does the same job. Let's fast forward a few years. What will Cliff do to improve his product? * Let's assume that Cliff has marketed a stripped-down Axe-FX to the masses, challenging the Pod, and the Pod has responded. and now...
  23. F

    pro tools mbox 1 methodology, spdif vs analog

    SPDIF 1) why is Axe doing spdif i/o in 48kHz? (Clearly, 48kHz is not a good choice for music. 44.1kHz is more appropriate for mp3s, 96kHz offers more depth. Bouncing down from 48kHz to 44.1 is not a smooth transition.) 2) are you guys choosing to foresake the spdif outs, and go analog...
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