bread
Power User
I'm oblivious to FOH because I'm on in ears but I do set my guitar first before everyone gets there with our engineers just to make sure.
I have output 1 echo to output 2 so what I hear is as close as possible to what the audience hear. Our engineers only make small adjustments to the EQ, usually just cutting the low end at 100Hz - everything else is flat. If I want some more EQ done, we use a separate show file on the desk so we can recall the settings whenever we go back. So far I've zero complaints about my tone, and more often than not the house techs giving me great feedback about the Axe Fx after the show. I'm very much a "if it isn't broke, don't fix it" kinda bloke so my settings don't change that much between FW updates.
My global EQ for out 1 and out 2 are also flat - all EQ is done via the amp, cab, PEQ block and filter blocks. I also use 2 guitars that are almost the same so if I need to switch one out mid show, the tone is as consistent as it can be.
Boring I know, but it works for me.
I have output 1 echo to output 2 so what I hear is as close as possible to what the audience hear. Our engineers only make small adjustments to the EQ, usually just cutting the low end at 100Hz - everything else is flat. If I want some more EQ done, we use a separate show file on the desk so we can recall the settings whenever we go back. So far I've zero complaints about my tone, and more often than not the house techs giving me great feedback about the Axe Fx after the show. I'm very much a "if it isn't broke, don't fix it" kinda bloke so my settings don't change that much between FW updates.
My global EQ for out 1 and out 2 are also flat - all EQ is done via the amp, cab, PEQ block and filter blocks. I also use 2 guitars that are almost the same so if I need to switch one out mid show, the tone is as consistent as it can be.
Boring I know, but it works for me.