UnsungHeroGuitars
Fractal Fanatic
Hello all
I recently picked up a used EBMM JP6 - lovely!
The birdseye neck is beautiful, but when I first played it, I noticed that within what is an incredibly smooth finish on 99% the back, I could feel some slight imperfections around the centre of neck and between about the 3rd to 9th fret area (probably the part which has seen most 'traffic' if you will)
If I had to describe the 'feel', one would think that the guitar had perhaps been continually leant against something sharp which had made some indentations. However, on closer look, there are no indentations whatsoever
What I can actually feel on my thumb is some very slight opening of the grain - I do mean slight though! It's hardly visible even in good light, but I can feel it all the same. Maybe this has been caused by usage drawing moisture out of the grain perhaps..?
Anyhow, with the neck being 'unfinished' - the headstock lacquer deliberately stops at the nut line - I was wondering how to minimise this
Would light sanding with fine grade paper address it..? I obviously don't want to get too carried away, but will I effectively have to 'remove' half a millimetre or so to smooth out the grain..?
Assuming that would be in order, what would I then 'finish' it with..? I know it's an unfinished neck, but it does appear to have been treated with something... oiled perhaps.? I've got some Fret Doctor which contains "a blend of non-toxic oils that nourish and protect the wood" - that is of course for cleaning and protecting the fretboard itself, but would that be suitable for the back or am I going to need something else..?
I'm always happy to get stuck in, but would like to get some good advice before doing so
Here's a photo trying to highlight the issue. Of course, you can clearly 'see' the grain across all of the neck - it's beautifully smooth everywhere, except for in the central area where you can feel it too:
I recently picked up a used EBMM JP6 - lovely!
The birdseye neck is beautiful, but when I first played it, I noticed that within what is an incredibly smooth finish on 99% the back, I could feel some slight imperfections around the centre of neck and between about the 3rd to 9th fret area (probably the part which has seen most 'traffic' if you will)
If I had to describe the 'feel', one would think that the guitar had perhaps been continually leant against something sharp which had made some indentations. However, on closer look, there are no indentations whatsoever
What I can actually feel on my thumb is some very slight opening of the grain - I do mean slight though! It's hardly visible even in good light, but I can feel it all the same. Maybe this has been caused by usage drawing moisture out of the grain perhaps..?
Anyhow, with the neck being 'unfinished' - the headstock lacquer deliberately stops at the nut line - I was wondering how to minimise this
Would light sanding with fine grade paper address it..? I obviously don't want to get too carried away, but will I effectively have to 'remove' half a millimetre or so to smooth out the grain..?
Assuming that would be in order, what would I then 'finish' it with..? I know it's an unfinished neck, but it does appear to have been treated with something... oiled perhaps.? I've got some Fret Doctor which contains "a blend of non-toxic oils that nourish and protect the wood" - that is of course for cleaning and protecting the fretboard itself, but would that be suitable for the back or am I going to need something else..?
I'm always happy to get stuck in, but would like to get some good advice before doing so
Here's a photo trying to highlight the issue. Of course, you can clearly 'see' the grain across all of the neck - it's beautifully smooth everywhere, except for in the central area where you can feel it too: