GazzaBloom
Inspired
i'm confused, in the manual it is advised to set the output level knobs to Maximum, but Cliff has made comments that it should be set at noon:
Manual:
To operate with unity gain, set the Output Level knobs to maximum. If you then route shunts from the input to the output you will get out exactly what you put in. (If you’re not using the Axe-Fx in the loop of a tube amp, unity gain is likely not relevant.)
If levels result in clipping of attached equipment, turn down the front panel knobs. At the minimum setting, volume is reduced but may not be silent.
Cliff's comments:
Let me clarify, you shouldn't NEED to turn the output level all the way up and, in general, if you do, then your gain staging is probably suboptimal.
Unity gain mode is a special mode designed for use with the 4CM. When you turn the output levels all the way up whatever you put in you get out (assuming all unity-gain blocks in the chain). If you have an amp block in the chain then you have tons of gain and therefore no longer have unity gain.
Optimal gain staging would be with the level knob around noon. Higher than this and you risk clipping the inputs of the downstream device. With the level knob at full the Axe-Fx II will probably incinerate a Soundblaster or other low-cost stuff. The max level out of the Axe-Fx II is +20 dBu. Most pro gear can easily handle that but lots of gear cannot and the trend in newer gear is towards lower and lower maximum input levels (due to single-ended designs and low-voltage/low-power constraints). In the old days, +20 dBu was routine. Everything could put out and handle +20. Not so much anymore.
For a Strat, near 100% on the input level is not unusual. I run my Strat around there. It has vintage-type pickups.
Which is correct? Output at maximum if using 4CM only and noon when using the Axes inbuilt amp blocks?
Gazza
Manual:
To operate with unity gain, set the Output Level knobs to maximum. If you then route shunts from the input to the output you will get out exactly what you put in. (If you’re not using the Axe-Fx in the loop of a tube amp, unity gain is likely not relevant.)
If levels result in clipping of attached equipment, turn down the front panel knobs. At the minimum setting, volume is reduced but may not be silent.
Cliff's comments:
Let me clarify, you shouldn't NEED to turn the output level all the way up and, in general, if you do, then your gain staging is probably suboptimal.
Unity gain mode is a special mode designed for use with the 4CM. When you turn the output levels all the way up whatever you put in you get out (assuming all unity-gain blocks in the chain). If you have an amp block in the chain then you have tons of gain and therefore no longer have unity gain.
Optimal gain staging would be with the level knob around noon. Higher than this and you risk clipping the inputs of the downstream device. With the level knob at full the Axe-Fx II will probably incinerate a Soundblaster or other low-cost stuff. The max level out of the Axe-Fx II is +20 dBu. Most pro gear can easily handle that but lots of gear cannot and the trend in newer gear is towards lower and lower maximum input levels (due to single-ended designs and low-voltage/low-power constraints). In the old days, +20 dBu was routine. Everything could put out and handle +20. Not so much anymore.
For a Strat, near 100% on the input level is not unusual. I run my Strat around there. It has vintage-type pickups.
Which is correct? Output at maximum if using 4CM only and noon when using the Axes inbuilt amp blocks?
Gazza