Clarky, you make a good point. No I have not really tried to dial in the sound on the Matrix. I assume you have (you are quite the surgeon when it comes to these details). So assuming you have dialed in the Matrix, are you having to dial per patch, or are you tweaking at a higher level - unit to unit, as in Axe to Matrix? I am aware of the Matrix Tweakistry video, is that the kind of dialing you are referring to?
I have two banks of presets that are copies of each other
the first bank is for the studio so they are dialled in to my studio monitors for practice / low volume stuff
these tend to be 'richer'..
the second bank are dialled in for live [GT1000FX and a pair of Marshall 1960b cabs]
they started life as copies of the studio presets
my presets are in banks of 10 [on the MFC], so preset 1 [studio] is the same as preset 11 [live], 2 studio is the same as 12 live, 3 is the same as 13, etc etc
this means that my practice and live performance experience are identical..
I hire out a rehearsal studio for about 4 hours on my own
I take all my backline and an iPod [containing the band's live set] with a cable to connect the iPod to the PA
I select the 'live' bank and jack the backline up to about 50% of gig volume [so I don't got deaf right away]
I immediately hear all of the things that need fixing:
- too much bass
- too much top
- delay and reverb levels too high
- sometimes a little too much gain [more on the riffing tone than the soloing tone]
all of my presets have a GEQ as the final block [fixes the lo's and hi's]
all of my presets are variations on two basic preset types, so I note the blocks that have need changes and then save / link them to global blocks
then I got to the other presets and load / link the appropriate blocks to the globals [saves going through the pain of copying lots of parm changes all over the place]
so all I'm doing are basic EQ and fx refinements [no advanced parm changes cos it's generally not needed]
then I turn on the backing tracks and play along to look for:
- how well do I sit in the mix
- what the level differences are like with respect to my different tones [riffing, clean, soloing etc]
I make these EQ and level alterations
then I crank up to gig volume. I'm looking for:
- control over unwanted feedback [fix gate settings on the input of the grid]
- low end booming [may still need some correction]
- shrill / piercing highs [again, may need a correction]
I play along to the backing track at gig volume to verify everything is ok...
then I'm done..
the Matrix video is more about dialling in the GT800FX to get the valve 'feel'
the GT1000FX has this built in so it really don't need it