How to use a the Studio FF Compressor as a De-esser?

I should have added that, because you're doing all of this digitally, you may experience some latency-based sonic side effects (comb filtering, "hollow" sound, etc.) – especially if you have more processing blocks in Path A vs. Path B. You may need to adjust the timing of the two paths to get the cleanest final mix of paths.
Your method is pretty much what smittefar was refering to his ballistic method right
 
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