lqdsnddist
Axe-Master
Things that are certain in life; death, taxes and "dumbeat" arguing with the forum in every thread he starts
I don't see how by the laws of consumer peasant logic, if you had a virtual power amp distorting the right frequencies, and you had some filtering applied to the signal to make up the measured difference between a V30 and the FRFR driver you're using, how the FRFR driver would not throw the exact same sound that the V30 would, so that when it reaches your ears in the far field (in your listening environment) the FRFR sounds just like the V30.
It would seem to me simpler to isolate the frequency response of a V30 speaker, it only puts out what it puts out...apply that filter to the FRFR, based on whichever driver you're using. Measure both, apply the difference to the FRFR driver. Turns it into a V30.
Ha i hear ya. But my arguments are driven by curiousity, not from a fiesty place. I assure you. As you see its never personal. Only on topic. But i take your remark. Thanks and sorryThings that are certain in life; death, taxes and "dumbeat" arguing with the forum in every thread he starts
YesUnavoidable differences because of physical speaker construction?
You obtained the brown sound thoughI recently came up with a solution, so if the only way to capture amp in the room is your ears. I plugged in, cranked the amp, ran a hum buster cable from the console to my butt, didn't work though kept farting and blowing the plug out!!!
LOL! In spades!You obtained the brown sound though
Generations of engineers would kill to get a sound where the mic is out of the ecuation...
I think you got my fortune cookie by mistake, sir.True enlightenment comes from realizing one’s own ignorance.
Nope. They take diffferent mics to get some certain flavors that each mic adds and they are happy that the mic adds some mids and highs and cuts some lows because the plain AITR sound is useless in a mix.
It became a color to play with just like a distortion pedal is. Do you have a distortion pedal on all of your sounds.
It became a color to play with just like a distortion pedal is. Do you have a distortion pedal on all of your sounds.
It's apples to oranges. The v30 is also a colour, so what's the point? Do you want to take the cab away to have an uncoloured sound?
The sound of guitars that we know from recordings consists of certain parts and a mic is one part of them. How else came the guitar on tape, when there was no mic? Uncoloured mics exist, Earthworks TC30, but no tech takes it for recirdings. Why is that?
It's apples to oranges. The v30 is also a colour, so what's the point? Do you want to take the cab away to have an uncoloured sound?
The sound of guitars that we know from recordings consists of certain parts and a mic is one part of them. How else came the guitar on tape, when there was no mic? Uncoloured mics exist, Earthworks TC30, but no tech takes it for recirdings. Why is that?
And btw, ive never heard a recording or a PA sound better than a guitar amp, even at low volume, but that’s just me.
Yet we still put a 57 on a paper cone.
Yes, that's just you. No one else in the band cares and the audience doesn't even know.
And even if you think the mic'd sound is too small and trebly, the tech even needs to take even more lows away to make it fit in the mix.
I wonder what would happen if you could send that AITR sound to the desk? The tech would ask for a SM57 simulation to taylor the guitar right.