raichoo
New Member
Oh yeah! Bass cabs!There are currently 25 Dyna-Cabs. We expect about a dozen more for the final release including some bass cabs.
Oh yeah! Bass cabs!There are currently 25 Dyna-Cabs. We expect about a dozen more for the final release including some bass cabs.
Or a large number plus a clever way to do (ideally lossless or low error) compression/"interpolation" (e.g. dimensional reduction or modeling) of response vs radial and linear distance.A relatively small number of IR's are shot, then interpolated when the mic is moved to generate the effective IR.
Wouldn't this have already happened with products like MIKKO or even Line's 6 cab implementation? How is it different here?
A new technique that prevent phase . In other words, it never sound like ****. Don’t have tried yet.Wouldn't this have already happened with products like MIKKO or even Line's 6 cab implementation? How is it different here?
Oh wow this is a good combination on the Recto Slant 4x12 with the IIC+ (any of them) dialed in right.I use the dynamic (0db) and the ribbon (-6db) close to the cab, and the condenser (-20db) at the max distance for some room feel. It is great!
She prefers distance. About a mile or so.Works for sex too, move it until she feels good.
Wouldn't this have already happened with products like MIKKO or even Line's 6 cab implementation? How is it different here?
This is exactly what I think is happening. Small, maybe tiny, increments, so any "interpolation" that is necessary would have very little room for error.Or a large number plus a clever way to do (ideally lossless or low error) compression/"interpolation" (e.g. dimensional reduction or modeling) of response vs radial and linear distance.
True, but if you examine the .syx file, you can get a pretty good idea of how many IR's there are. It's far fewer than the "13 billion" in the quoted message I was replying to...that's what I meant by "relatively small" .Or a large number plus a clever way to do (ideally lossless or low error) compression/"interpolation" (e.g. dimensional reduction or modeling) of response vs radial and linear distance.
Somewhere Cliff talked about the selection of the microphones, and especially the condenser, and how it made a difference. It might have been in the thread when he revealed a preview IR. That IR sounded wonderful and I replaced several other IRs in Cab blocks in several presets.The on board real time mic movement is awesome but there's something else special going on with any given DynaCab IR to my ear. I could move the mic around all day long in my outboard IR software but not arrive at some of the clear crisp tones I'm hearing with this. Maybe its from having the right IC automatically assigned now - dunno.
We now need a feature in cab block to add more phasing.A new technique that prevent phase . In other words, it never sound like ****. Don’t have tried yet.
The align tab still works so you can add phaseWe now need a feature in cab block to add more phasing.
The parameter is called ”Add phase problems” and description says ”if you want to sound like ****”.
Having had multiple Line 6 Helix and played with their cabs and purchased thousands of big-name IRs, I was stunned hearing the sound of the Dyna-Cabs. The interface isn't the important part, it's pretty much what would need to be in place to accomplish the microphone position selection… wiggle the cursor and move the dot in front of the speaker.Wouldn't this have already happened with products like MIKKO or even Line's 6 cab implementation? How is it different here?
When using "Legacy" IR:s, I often use align to alter the phase in the relation between multiple mics. It actually makes the high end sound more pleasant. I guess it's no different for Dyna Cabs.The align tab still works so you can add phase
Pretty good ones, I’d say.What mics are these specifically? They sound amazing!
But it requires two IR’s to create phase problemsThe align tab still works so you can add phase