What its saying is that for the case where you want to run one line to a cab (without cab sim) and one line to FOH/FRFR (with cab sim) you can use the Motor drive in the cab block (which is slightly compromised by static defaults) to avoid having the non-cab-simulated line out having the motor drive applied to it. This way the real cabinet which has a real physical guitar speaker in it does not have the emulated motor drive added to a real cabinet which already has its own 'motor drive' in real life.I'm a bit confused by this statement...I must be misunderstanding something. I thought when you used a guitar cab., you should turn off cab. simulation (pg. 31 of the manual). Will the Motor Drive parameter in the Cabinet block still work?
Cliff is clearly brilliant and FAS is a world class company, but TBH, in software some things that seem really complicated are easy/quick to implement and some things that seem simple are brutally difficult and would essentially require a complete rewrite. This is assuming you are already technically skilled.I don't understand how you can program all of this so quickly. It is amazing how you turn all of these complex ideas into code.
I don't understand how you can program all of this so quickly. It is amazing how you turn all of these complex ideas into code.
Fractal's design cycle is quick. I mean really quick. Few organizations of any size can match it.I don't understand how you can program all of this so quickly. It is amazing how you turn all of these complex ideas into code.
Added Input Diffusion to Multitap block Band Delay, Quad Series, Plex Delay, Plex Detune and Plex Shift types.
Is this for doing Strymon-ish stuff?OMG YES x1000. This is a game changer!
Is this for doing Strymon-ish stuff?
Out of sheer curiosity, I'd love to have a tour of the FAS factory.Fractal's design cycle is quick. I mean really quick. Few organizations of any size can match it.
How is the opto similar to a mastering compressor? Lord have mercy... An opto on the 2 buss will pump too much.Awesome!! What Quantum did for tone & amp mojo, motor + optical is doing for dynamics, in-the-fingers feel and depth/width of effects around guitar. It really lets the guitar fit into and fill out the landscape of a mix.
The "instant hit album" description is correct because motor does chewy/juicy dynamics of a cranked studio cab, and optical is similar to a mastering compressor. The two act like cascading compressors. If you don't overdo them, the result is amazing - I'm still trying to accept how good it felt, sounded and fit today.
Any studios that were sitting on the bench about getting an Axe-Fx will be jumping off soon. The plug/play is too economical to ignore!