dkenin
Inspired
Hey guys looking for a little advice on how to use the Noise gate at the input or as a block.
I get banshee feedback occasionally, so I crank down on the noise gate, but it chokes my sustain and gets to the point where my alternate picking is too staccato. The issue is I don't need to have the Noise gate as cranked, but the screaming feedback is my only issue. Should I put a filter on a certain frequency instead of using a noise gate?
Also, can somebody give me a guitarist's primer on how the threshold, ratio, attack, hold, and release work with each other. I understand the individual uses of each. I like high gain and don't mind some feedback that I can control with technique like muting or volume knob, but the high pitched feedback squeals are a whole different beast. Using the noise get to get rid of it seems to make the playing seem more laborious and not as smooth.
Thanks,
Dave
I get banshee feedback occasionally, so I crank down on the noise gate, but it chokes my sustain and gets to the point where my alternate picking is too staccato. The issue is I don't need to have the Noise gate as cranked, but the screaming feedback is my only issue. Should I put a filter on a certain frequency instead of using a noise gate?
Also, can somebody give me a guitarist's primer on how the threshold, ratio, attack, hold, and release work with each other. I understand the individual uses of each. I like high gain and don't mind some feedback that I can control with technique like muting or volume knob, but the high pitched feedback squeals are a whole different beast. Using the noise get to get rid of it seems to make the playing seem more laborious and not as smooth.
Thanks,
Dave