darrenw5094
Certified Bug Hunter
Maybe the Klon is in there too
Did all that low end get kept on the record? Folks are always talking about how that often doesn't work in a real mix.I once rented a Triple Rectifier for a recording session. That amp had a massive wallop like a locomotive. I wound up using a D112 as one of the mics, just because I wanted to capture the low end. It had that big RAWR sound, but my favorite aspect was the dark percussive slam at the front of the pressure wave.
Welcome to the forum Noma. Fan of your YT vids for a long time.More attack ? More impact ? More headroom ? Let’s see ! Axe ready 😁
That would be awesome!Maybe the Klon is in there too
It did, but we had to make some decisions about where to make adjustments to allow the bass guitar and kick / low toms to speak clearly. I did the bass parts as well, so I was able to decide how to shape that tone to complement the big crushing guitar.Did all that low end get kept on the record? Folks are always talking about how that often doesn't work in a real mix.
That's a myth that needs to die.Did all that low end get kept on the record? Folks are always talking about how that often doesn't work in a real mix.
Yes, but not so well if your subwoofer has a screen door.
The magic is in the new kids on the block. They got the right stuff, baby!Is this new magic in the amp block or cab block or?
That's a myth that needs to die.
Every situation is different-so people with a 3 piece band will say 'oh we didn't have to cut anything and it sounds massive' whereas a big band with keys, brass, strings, backup singers, multiple guitarists etc CANNOT do thatLetting the bass and drums occupy their range is a myth?