The technology (IR length, sample rate, etc) is the same. The ways we mic up a guitar cab had not changed much in many years.
I am sure the IR guys continuously learn about how to capture cabinet in ways that translate in to good IRs - and of course they have to tell us it is a dramatic difference to sell their products. But the reality is that a good IR is a good IR, no matter when it was captured.
Agreed Smit, A good IR is a good IR.
As you put it, The IR guys continuously strive to improve things. In my opinion, they have and do. Otherwise the whole concept stagnates and we remain fixed at the position we are now forever??
But you know as well as I do, that cannot, and will not be the case.
Everything musically has to improve, or it ceases to exist, or to be utilised. I doubt anything of this technology will reach its natural conclusion so early in its inception. Music, and reproduction of music, has always improved in one way or another.
Recording techniques improve and recording equipment improves alongside it, and I don't believe that we have reached the maximum capability of IR's and hit the wall just yet.
I have downloaded, tried, and use this as a pure example.....
The York Audio Mesa 2x12 trial pack. As stated in my previous comms above, these IR's demonstrate that improvements have been made over stock cabinets (I have tried) in the Axe FX. I have tried most of the standard variety.
Most people band the figure of 2000+ cabinets.
Let's be a little more realistic here tho. Once you take out the multiple shots. The number is actually closer to a couple of hundred individual cabinets I would guess? im sure somebody somewhere has calculated the exact number.
Once you remove the SM57 A, B, C D, Royer A, B, C D etc etc. The number of actual cabinets, diminishes rapidly from the magic 2000.
This is not a criticism, it is purely an observation, and by doing so removes any ambiguity.
The YA IR's definitely enhance my
Live sound through FRFR speakers. They seem to have a little more clarity and definition overall than the stock IR's I have tried. The stock IR's I have auditioned all have a very similar level of sound quality in comparison. Which is still of a very good level.
I don't know why these IR's seem to perform better, maybe I just got lucky, perhaps take a listen for yourself and compare.
All I need to know, is that it's definitely not the end game for IR's, and their maximum sonic quality has not been reached.
Sure we reached maximum audible bit depths and sample rates years ago, but that doesn't stop people that know what they are doing making music sound better every day. Year after year.
The same I feel goes for IR's. As they can and will, improve over time.