It's a public holiday here in Mauritius, and I was bored, so...
Here's some tonematches of Kemper profiles I made. I'm not trying to deliver 100 % identical clone sounds here : being in the ballpark is enough for me ; I did this for the fun, as I love to experiment. With my cover bands I use my own presets.
My tonematching method involves capturing the "cab" of the Kemper first with the Axe-Fx II IR capture utility. Then I load this IR in the cab block, select the Axe amp model which is closer to the one in the Kemper profile, I tweak it to make it closer sounding to the profile that I can (in 5-10 minutes usually, I'm not obsessing over it), and finalize the preset with the tonematch block, using the "Amp matching template" preset. So this is a live tonematch, not an offline one.
As some of these profiles are commercial ones, from Michael Britt (the best !), Amp Factory or Michael Wagener, I'm not sharing these presets so don't ask
Here's some tonematches of Kemper profiles I made. I'm not trying to deliver 100 % identical clone sounds here : being in the ballpark is enough for me ; I did this for the fun, as I love to experiment. With my cover bands I use my own presets.
My tonematching method involves capturing the "cab" of the Kemper first with the Axe-Fx II IR capture utility. Then I load this IR in the cab block, select the Axe amp model which is closer to the one in the Kemper profile, I tweak it to make it closer sounding to the profile that I can (in 5-10 minutes usually, I'm not obsessing over it), and finalize the preset with the tonematch block, using the "Amp matching template" preset. So this is a live tonematch, not an offline one.
As some of these profiles are commercial ones, from Michael Britt (the best !), Amp Factory or Michael Wagener, I'm not sharing these presets so don't ask