One of the best experiences I had was with
@Admin M@ at an ARW show in PA at a casino. The show was like a religious experience, they sounded was so good and unselfish consciously (at the time) found myself signing and anticipating each song's part.
Even better, I was fortunate enough to be up on the stage prior to the show's start with M@tt as he worked with the great guitar tech for Trevor and I got to see Trevor's Axe-Fx rig and RJM mastermind set up. After the show I got to meet Trevor and get a photo, he was a lovely guy and great gentleman. Fun fact: in his guitar there is a diamond glued into it he showed us, probably worth far more than the guitar itself.
The 90125 album was an epiphany for me in college. If you never listened to it with headphones one, go do it - you won't regret. The very definition of sonic candy, pushing all the limits of technology of the time in early 80s. In fact, I once watched the whole album play through on a wide band spectrum analyzer, and almost every frequency band was hitting the top throughout most parts -- everything slotted in perfect, integrated, full, BIG sound.
Yes's 90125 - It's a sonic masterpiece, I think Steve Lily-white may have helped Trevor and the band produce it. Big fan here!!!
