Taylor 355 12-String
Apogee DUET
T-Rex Replica
Neutrik Patch Panel
Electro-Harmonix Cathedral Stereo Reverb Pedal
Fulltone OCD
Vox Tonelab
AKG 3000B
AKG C1000S
Roland Cube 15
Belltone AP-22 12W tube amp (circa 1960)
Lehle Dual amp splitter
Digitech CR-7 Stereo Chorus
Boss ME-70
Getting ready to sell while it's still worth something:
Matchless Lightning 15 ('94)
Matchless Spitfire 15 head (clone/kit)
Trailer Trash pedal board
Korg rack mount tuner
MXR Phase 100
Alesis DEQ
Lexicon MPX 550
Demeter TRM-1 Tremolo pedal
Pedal Power 2 Plus
I'm done chasing tube tone the old fashioned way. I think the Axe FX marks the beginning of the end for tube/analog guitar gear, and I'm speaking as a BIG fan of tube amp tone.
I can't remember the last time I sat in front of one of my tube amps for four hours straight, but I did just that the other night in front of my Axe FX Ultra. It's rekindled my interest in the guitar, and greatly simplified my approach to getting "good tone."
Make that "GREAT TONE."
Apogee DUET
T-Rex Replica
Neutrik Patch Panel
Electro-Harmonix Cathedral Stereo Reverb Pedal
Fulltone OCD
Vox Tonelab
AKG 3000B
AKG C1000S
Roland Cube 15
Belltone AP-22 12W tube amp (circa 1960)
Lehle Dual amp splitter
Digitech CR-7 Stereo Chorus
Boss ME-70
Getting ready to sell while it's still worth something:
Matchless Lightning 15 ('94)
Matchless Spitfire 15 head (clone/kit)
Trailer Trash pedal board
Korg rack mount tuner
MXR Phase 100
Alesis DEQ
Lexicon MPX 550
Demeter TRM-1 Tremolo pedal
Pedal Power 2 Plus
I'm done chasing tube tone the old fashioned way. I think the Axe FX marks the beginning of the end for tube/analog guitar gear, and I'm speaking as a BIG fan of tube amp tone.
I can't remember the last time I sat in front of one of my tube amps for four hours straight, but I did just that the other night in front of my Axe FX Ultra. It's rekindled my interest in the guitar, and greatly simplified my approach to getting "good tone."
Make that "GREAT TONE."