Haha! You have a wasted talent there my friend!
Is that a job offer?
Just adding my sick sense of humor to the pot amoungst the debating!
Anytime mate. I have a fridge full of beer, a freezer full of steak and a BBQ that needs to see a little Christmas action - come on over!
Pedalboardlbels exploiting the cheap foreign labor with promises of cold beer! BRILLIANT!!!
If there's a REAL Diezel or Bogner with a oversized Mesa cabinet in the studio... I'll be sitting my beer on the (unplugged) Axe Fx.
interestingly enough there are ppl in this forum that have that sort of amps/cabs and still choose to use the Axe.
(to be fair, the amps are not for storing beer but used in the the Zen art of gathering dust)
If: 0
RL: 1
There was one recent post on TGP that implied that the KPA has a "dynamics processor" that addressed that. If so, the profile could be a relatively static capture with the processor inferring how the real amp would behave.How does the kemper handle guitar volume controls? I would think that it would have to sweep across to figure out the non-linear response curve of the amp.
To the OP, why not go here: Kemper Amps Forum and post how the Axe-FX is 'taking over' and see how that flies there, then pontificate once you are attacked for trolling.
Ding fries are done!
To the OP, why not go here: Kemper Amps Forum and post how the Axe-FX is 'taking over' and see how that flies there, then pontificate once you are attacked for trolling.
For studio productions you can setup an amp with microphones and then record with your real amp. If you want to replace a track month later, you just use your profile. Because you could have problems to get the amp miked up exactly the same way.