This is surprising to me - I would have thought since big acts are generally playing in big arenas that they would have a lot of ambient sound just from the large room they're in - so you're saying that generally they still want a good amount of reverb etc on top of that? Does that go to the P.A?
This is surprising to me - I would have thought since big acts are generally playing in big arenas that they would have a lot of ambient sound just from the large room they're in - so you're saying that generally they still want a good amount of reverb etc on top of that? Does that go to the P.A?
Arena reverb is a different animal. Arenas are so large that it takes a long time to hear even the early reflections. Before you start to hear any arena reverb at all, you could have already experienced the wash of a traditional reverb effect.This is surprising to me - I would have thought since big acts are generally playing in big arenas that they would have a lot of ambient sound just from the large room they're in - so you're saying that generally they still want a good amount of reverb etc on top of that?
As well you should be. I received an inquiry today via private message from an individual who is new to the forum and shall remain nameless. They asked me if I could provide them the videos from the class, even though they knew it wasn't cool to do so. I politely declined. Sorry, don't care if they're broke. I know you put probably hundreds of hours of work into this, and deserve to be compensated for it. $120 is a very, very small price to pay.
this sounds complicated for a small place. are you having challenges now? i wouldn't expect the typical "sound guy" at a small gig to know what to do with 2 guitar sends either.Thanks guys - definitely food for thought. Unless we're at a venue that has a sound guy I run the board for my band, so perhaps I should consider outputting a dry signal to that, then a wet signal to my wedge. We're only playing small places though - definitely not arenas... yet. ;-).
Most rooms have their own reverb. I don't generally use it, but for some styles of music, such as surf and others, I can see it being used. I prefer delay on my lead and clean sounds.This is surprising to me - I would have thought since big acts are generally playing in big arenas that they would have a lot of ambient sound just from the large room they're in - so you're saying that generally they still want a good amount of reverb etc on top of that? Does that go to the P.A? I've been dialing down the reverb in my presets, as I'm concerned about losing the crispness of the tone even in the smaller rooms that I play - for example a brewery that is basically a warehouse with concrete floors etc. Admittedly I haven't taken the Axe-Fx out live with the band yet though - it's been a basement tool since I got it. I'm waiting for the FCs to be released, and my Xitone cab to be delivered, both of which I'm super excited about!
Obviously I'm still learning - love this forum! Up to this point I've been playing an Egnater Renegade 212 with a pedal board live (Keeley DynaTrem, Boss CE-5, Boss DD-7, Volume Pedal, Wah, which are all great, but I can't wait to play a gig where each song has a specific amp tone and fx that line up with the original track, as well as specific tones for each of our originals.
@ccroyalsenders Will there be a tone match vid coming? I see the others have been uploaded, just wanting to know if/when the tonematch will be available.
I'm working with the host on getting the file limitation resolved ASAP. Hoping to have that solved by EoD today.
seems like progress is being made then.Yes, and he said that yesterday when there were half the videos available. Now there's only two missing.
seems like progress is being made then.