Sustain Maniac Preset

deakle

Experienced
I am searching for the Sustain Maniac factory preset that has been mentioned here before. I believe it is an FM3 preset but could be used in an Axe III. Any idea where I may find it? I have the latest Axe III factory presets, but I have not found it there so it must be an FM3 preset. So how do I find this preset and import it to my Axe III?
 
Try looking in Wiki under factory presets, Yek lists which ones are FM9 and FM3 and that might help. you find it. Here's a list that I compiled of the Factory presets were different from the various platforms.
Bank A
078 - STUDIO LEADS // STUDIO LEAD FM3
— Mesa/Boogie Mark IV. Axe-Fx: additional Tone Match version. Scenes are different across devices.

083 - PETRUCCI RIG // PETRUCCI RIG FM3John Petrucci's (Dream Theater) signature sound, using the Mesa/Boogie JP-2C. The FM9 and FM3 versions are slightly simplified. Axe-Fx version: Input 3 facilitates the use of a piezzo-equipped guitar. An LFO-controlled Pitch block reproduces the effect of a TC Mimiq pedal (double tracking).

097 - WHO'S NEXT? // WHO'S NEXT FM9 // WHO'S NEXT FM3Signature sounds of The Who / Pete Townsend, using internal controllers. Hiwatt DR103. Title reference: The Who album. The FM3 and FM9 have simplified presets.

100 - STUDIO CLEAN // STUDIO CLEANS FM9 // STUDIO CLEAN FM3 — Mesa/Boogie TriAxis clean preamp, compression, various modulation effects, Multitap Delay, Plex Delay (FM3 and FM9: n/a).

104 - LEON'S DJENT BASS // LEON'S DJENT BASS FM9 // ALIEN SURFING — Axe-Fx and FM9: bass preset by Leon Todd. FM3: Joe Satriani's signature sound on his first album, using a Marshall JVM410HJS and DS-1. Title reference: Joe Satriani album. Uses the Horizon Devices Precision Drive drive model.

109 - LIMELIGHT M@ // LIMELIGHT FM9 // LIME LITE M@ — Alex Lifeson's (Rush) signature sound on the song "Limelight", with two Hiwatt models on the Axe-Fx and FM9 presets, Tone Match block (Axe-Fx only), chorus and various effects. FM3 and FM9: lite preset versions.

117 - SO MANY ROADS // SO MANY ROADS FM3 — dual amp blocks on the Axe-Fx and FM9: Marshall 100W Plexi and Dumble ODS (FM3: Plexi only). Title reference: old blues song, [covered by Joe Bonamassa and many others.

119 - JIM AND LEO // JIM OR LEO — dual amp blocks on the Axe-Fx and FM9: Jim Marshall's JTM 45 and Leo Fender's '59 Tweed Bassman. FM3: amp channels are used instead of two amps blocks.

124 - MESSAGE ON THE MOON / MESSAGE ON THE MOON FM3 — guitar tones and effects, based on various songs by The Police (Andy Summers). Axe-Fx and FM9: two amp blocks. External controller 1 controls volume in a scene. This preset was previously named: "ANDY'S MESSAGE" and also contains the retired “WALKING ON THE MOON” preset. FM3: lite preset version.

127 - PLEXIS+ACS // PLEXPRESSOR — Axe-Fx and FM9: various Marshall and Class-A combinations (dual amp blocks). FM3: "PLEXPRESSOR", featuring a Plex Delay block with delay and Tri-chorus, and USA Clean amp model.

128 - RACKMOUNT PREAMPS X2 // RACKMOUNT PREAMPS FM3 — Axe-Fx and FM9: various combinations of preamps (dual amp blocks), with '80s studio effects. The FM3 version uses amp channels instead of two amp blocks.
 
Bank B
001 - GALAXY FORMATION // GALAXIES FM3

Cinematic space soundscapes, using 100% wet Plex Delay, up to 31 seconds of reverb (two blocks, one on FM3), automatic volume swells and chorus. Play slowly. Amp: Double Verb.

005 - AMBIENCE@21 // NEW AMBIENCE // AMBIENCE FM3
Ambient modulated soundscapes, using automatic volume swells, Plex Delay for detuned stereo delays, chorus and high-feedback flanger. Play slowly. Amp: Archean. FM3 and FM9: liter versions.

007 - REVERB CRYSTALS (Axe-Fx) // CRYSTAL REVERB // CRYSTALS REVERB (FM9)
Stereo crystals effect from the Pitch block. The preset's envelope follower is assigned to the Pitch block's Input Gain, acting as a fade-in control for the crystals. Diffusion blends the separate trails together in some scenes. See also: factory preset "CRYSTAL ECHOES". Amp: USA JP IIC+. Scenes are different across devices. Axe-Fx: also demonstrates pitch-shifted reverb types.

012 - DUAL DETUNER DELAY (Axe-Fx) // DETUNED DESCENT (FM3) // MUT@ATOR TOTS (FM9)
Axe=Fx: demonstrations of the Dual Detuner Delay type in the Pitch block. FM3: stereo delay repeats from the Plex Delay block gradually go down in pitch. Similar to the preset "SERENITY NOW!". Amp: USA Rhythm. The FM9 replaces this with a version that uses heavy filtering through internal controllers and panning.

018 - EMERALD OCEANS // EMERALD OCEANS FM9
Ambient soundscapes with crystals, pitch detuning and "Stone Quarry" reverb, with automatic volume swells (ADSR), dual compressors, LFO-controlled filter and stereo enhancer. Play slowly. Amp: Double Verb. FM3 and FM9 have one Pitch block less. Scenes are different across devices.

025 - VELVET SUNS // VELVET SUN FM3 // VELVET SUNS FM9
Dreamy atmosphere, created by LFO-controlled Wah sweeps, with stereo enhancer, EQ and more. The FM3 and FM9 versions are slightly simplified.

027 - BL@DE RUNNER // BL@DE RUNNER FM9 // BL@DE RUN ULTRALITE (E mi)
The famous synthesized theme of the sci-fi Blade Runner movie(s). Ingenious use of the Synth block, filtering and pitch-shifting, as well as internal controllers and scene controllers. Scene 3 ends it big. Play and hold single notes. The FM3 and FM9 have simplified versions.

030 - OCTOPLEX' GARDEN // OCTOPLEX' GARDEN FM9
Eight diffused delays from the Plex Delay block, creating a reverb. The Input Envelope makes the reverb fade in. External Controller 1 controls rotary rate in one scene and filter frequency in another. Play slowly. Amp: Vibrato Verb. Previously: "DELAY OCTOPLEX".

031 - DIATIONIC CHIMES // DIATIONIC CHIMES FM9
Pitch-shifted delays. Amp: USA Pre. Previously: "WIND CHIMES". FM3 and FM9: lite versions.

034 - TOUCH LFO FILTER // TOUCH LFO FILTER FM3 // LFO FILTER FM9
PI Fuzz going into a filter (between amp and cab), which has its frequency controlled by LFO and Envelope (dual modifiers). Some sounds remind of the intro theme of early Doctor Who television series. Previously: "1/8 FILTER TREM". FM3 and FM9: simplified versions.

036 - ORGANICS / ORGANIC!
Simulates a church organ, using the Plex Delay block in Plex Shift mode with stereo panning and "Cathedral" reverb. A Drive block adds grit to the sound. The slow attack comes from the Input Envelope in the Plex Delay. No cab block. Play slowly. The "Lon Chaney" scene refers to the organ sound in classic horror movies with actor Lon Chaney.

038 - RIC-O-TWELVE // RIC-O-TWELVE FM3
12-string simulation (Rickenbacker) through two amp blocks (FM3: single amp). Amp(s): Double Verb.

043 - DUAL AMP DUAL DELAY // CLOUD DELAYS
The Axe-Fx and FM9 presets push modulated delays through two amplifiers to maintain the stereo image. The FM3 preset puts three "tape" delays after an amp and adds some optical compression. Amp(s): Class-A 30W.

045 - EKKOPLEK JUNIORS // PLEXES
Simulation of a vintage Echoplex tape delay with wow and flutter. Some scenes use two amps to maintain a stereo image. A synth produces background noise (Axe-Fx and FM9 only). External Controller 1 controls the speed of the tape. Amp(s): Jr Blues. The FM3 has its own version.

048 - BI-AMP PLEXIS // POLYFUZZ CROSSOVER
In the Axe-Fx and FM9 presets, a Crossover block splits the signal at a frequency point, after which the two signals are processed separately. Amp: 1987X. Previously: "PLEXI BIAMP". In the FM3 version multiple Filter blocks emphasize a fuzzed signal in different areas of the spectrum. Amp: Plexi.

050 - SATAN'S HOLLOW // SATAN'S HOLLOW FM9 // SATAN JR'S HOLLOW
A synthesizer, heavy down-shifted notes and an arpeggiator create a dark atmosphere. Play single notes. Satans Hollow refers to an old arcade game. FM3 and FM9: lite versions.

053 - SPRING IN A CAVE // IN A CAVE
Spring reverb into a "cavern" reverb. FM3: single Reverb block. Amp: Nuclear-Tone. Previously: "CAVERNOUS".

055 - DYNAMOFLANGER // DYNAMICFLANGER
Simulates the Micmix DynaFlanger, a stereo flanging effect often used by Frank Zappa and Dweezil Zappa. The flanger is being controlled by an envelope follower. Amps: Brit 800 and Brit JM45. FM3: single amp.

059 - HEAVENLY ECHO // IONIC REVERB (FM9)
Axe-Fx and FM3: Ethereal shimmer, with delay repeats being shifted up in pitch and going through reverb. Amp: Band-Commander. FM9: external controller 1 controls the amount of modulated reverb.

061 - THE ABYSS // ABYSSAL LOOPS (FM9)
LFO-controlled Wah and Multitap Delay blocks, a Megatap Delay and "Stone Quarry" reverb generate a sci-fi soundscape. The preset title possibly refers to the James Cameron movie. Amp: USA Pre. Presets are different across devices.

065 - DOUBLE DIFFUSOR // MTD DIFFUSOR FX
Rhythmic pattern from two Multitap Delay blocks in Diffusor mode. ADSR controls filter frequency and phaser rate. Previously: "DIFFUSED PHASER". FM3 and FM9: single Multitap Delay.

068 - MEDIATION WORKSHOP // MINDFUL (FM9) // MEDITATION BREAK
A very complex preset that uses a lot of internal controllers and External Controller 1 to create layers of sound. Play slowly. No amp blocks. FM3: lite version.

073 - ADRENALFLANGE / NEW JUPITER
" Adrenalflange" (Axe-Fx) has a sequencer-controlled flanger, probably based on an Adrenalinn.
"New Jupiter" (FM3 and FM9) howcases an LFO-controlled Resonator block. The preset title possibly refers to the Lost In Space television series. Amp: Double Verb.

076 - UNDULATION // UNDULATION FM9 // UNDULATOR FM3
LFO-controlled delay voices from Plex Delay blocks through a tremolo, with the tremolo's depth being controlled by an envelope follower. The preset title possibly refers to an Eventide effect. FM3

081 - 6TH STONE FROM THE SUN // 6TH STONE FM3
The Pitch block between amplifier and cab adds harmonies (7ths, and in some scene octaves), with pitch detuning, reverb and stereo enhancer. Not clear if the preset title refers to Third Stone From The Sun, a slightly psychedelic song by Jimi Hendrix. Amp: USA Clean. FM3: lite version.

082 - ECHOES FROM GOD // ECHOES FROM GOD FM9 // GODLY ECHOES FM3
Eight repeating and diffused delay lines from Plex Delay blocks, and a consecutive delay adds hard-panned delay repeats with a short delay time to the left and with a long delay time to the right. Amp: Double Verb. FM3 and FM9: single Plex Delay.

086 - WIDE CHORUS // WIDE CHORUS FM3
Stereo chorus going through two amplifiers (FM3: single amp), with some EQ. Amp: Vibrato Verb.

091 - HEAVILY PROCESSED // HEAVILY PROCESSED FM3
Processed crunch tone with effects such as pitch detuning, chorus, multiband compression, stereo enhancer, and EQ. Amp: Plexi 50W. FM3: lite version.

092 - BOUTIQUE BATTLE // BOUTIQUE MENU
Features two "boutique" amplifiers in a dual-amp setup: Dumble (ODS-100) and Trainwreck Rocket (Wrecker Rocket), with slapback delay. The Axe-Fx and FM9 presets use two amps in a dual setup, while the FM3 version switches amp channels.

096 - RAINY NIGHTS III // RAINY NIGHTS FM3
Soothing guitar sound, using overdrive, delay, bias tremolo, spring / cavern reverb, chorus, dual compressors and stereo enhancer. The Volume block is tied to a scene controller to smoothen scene changes. Verify that the Sequencer is running. Amp: Deluxe Verb.

097 - CRUNCHY EVEN IN MILK// TIM'S HOOK 6V6
Dual amp blocks: Plexi 50W and USA Rhythm, with pitch detuning. Previously: "STAYS CRUNCHY". FM3: features the Hook Captain 34 amplifier, with some drive and modulation effects (preset by forum member Hippietim).

098 - ARPEGGIATOR M@DNESS (B MIN) // ARPEGGIATOR M@DNESS FM9 // ARPEGGIATOR M@DNESS FM3
Psychadelic arpeggio through a phaser, reminding of early Pink Floyd. Make sure to try all scenes. The arpeggiator engages through an envelope follower. The sound gets chopped by a sequenced Volume block. Play single notes in B minor. Slightly similar to preset "INTRIGUE". Amp: USA Rhythm. FM3: single Pitch block.
 
099 - CLASS-A BRETHREN // CLASS-A LINEUP
Dual amp blocks: Class-A 30W and Class-A 15W, with FET Boost, chorus and bucket-brigade delay. FM3: showcases several Class-A amp models through a single amp block.
101 - SYNTH LINEUP // SYNTH LINEUP FM9 // SYNTH LINEUP FM3
Eight synth sounds with help from LFO and ADSR controllers, including: Zamfir pan flute, Moog Taurus bass pedal synth, ELP-like lead synth, high sine notes, 303 bass synth. Play single notes. Amps: USA Clean, USA Pre. Previously: "ZAMFIR". FM3 and FM9: lite versions.
102 - SCREAMING PLEXI 3 // SCREAMING PLEXIS
Plexi with a Tube Driver.
103 - BOSTONIAN // BOSTONIAN FM9 // BEAN TOWN FM3
Characteristic mid-heavy guitar sound from Boston. The Axe-Fx preset used a Tone Match block and two amp Brit 800 models, the FM9 preset uses two amps, the FM3 version uses a single amp with EQ. Here's a demo
105 - TOUCH PHASE III // TOUCH PHASE FM3
Envelope-controlled Phaser block, placed between amp and cab blocks, with different sounds per channel, including a talk box simulation. Amp: Mesa Pre. Previously: "ENVELOPE PHASER". FM3: lite version.
112 - TAPE DRIVER // TAPE DRIVE FM3
Simulated tape distortion, after the amplifier. Drive blocks are used to maintain the stereo field from the reverb. Amp: Double Verb. Previously: "TAPE DISTORTION". The Axe-Fx version uses three drives, the FM9 also, and the FM3 uses two.
115 - DUAL AMP DIATONIC / SPLIT DIATONIC
Stereo pitch harmonies through two amplifiers (FM3: single amp). The harmonies shift per scene through a scene controller which is attached to the Key parameter in the Pitch block. Play single notes. Amp(s): FAS Lead.
117 - HORRORFEST // HORRORFEST FM3
Down-shifted, modulated and reverberated crystals and LFO-controlled panning create a haunted house atmosphere. External Controller 1 controls frequencies. Play slowly. Previously: "HORROR MOVIE". FM3: single Reverb and Pitch blocks. FM9: single Pitch block.
118 - WIDE E-PLEX 21 // GECKO PLEXES // DELAYSCAPES M@
Mono tape delay, made stereo through two amp blocks on Axe-Fx III and FM9. Motor speed controlled by LFOs. External Controller 1 controls the input level when Volume 1 is engaged. Amps: Vibrato Verb. FM3: complex pulsating stereo delays, using a feedback loop and LFOs.
119 - FUNKY SYNTH // FUNKY SYNTHS
LFO-controlled synthesizer, made smoother by a RAT distortion and compressor, with a gate to supress noise. Scenes add a sub octave and pitch detuning. Play single notes. Less synth voices on the FM3.
121 - MUSIC BOXES // MUSIC BOX FM9 // MUSIC BOX FM3
Arpeggio from two Pitch blocks, with stereo panning and more. ADSR controls the arpeggio. Play single notes in C major and let them ring out. Amp: USA Clean. FM3 and FM9: single Pitch block.
122 - PURPLE FLANGER // PURPLE FLANGER FM3
Probably based on the Boss BF flanger. Amp: 65 Bassguy. Previously: "FLANGETASTIC". There are two amps in the Axe-Fx and FM9 presets and one in the FM3 version.
124 - GREAT PLAINS // S/H BAND DELAY
Clean tone with tremolo and spring reverb, with simulated wind blowing in the background (amp: Texas Star). Previously: "DESERT BREEZE". FM3: 4 stereo delay lines with LFO-controlled frequencies create a sample-and-hold band delay, similar to other "band delay" presets (amp: Prince tone).
126 - FEEDBACKER // FEEDBACK PEDAL
External Controller 1 (pedal) fades in simulated sustained musical feedback from the Pitch block, with pre and post compression and stacked Tube Screamers. Watch out for bursts of non-musical high-frequency feedback. Amp: USA Clean.
 
Bank C
003 - RAJA DRONE III // RAJA DRONE FM9 // RAJA DRONE FM3
Approximates the sound of a sitar with a drone note, through ADSR-controlled filters, pitch shifting, and resonator blocks. Adjust the ADSR threshold for your guitar. Play single notes. FM3 and FM9: lite versions.

005 - ONE-NOTE SYNTHESTRA // 303 FUNK // FM303
Hit a single note and hear an orchestra, with the help of the synth, pitch shifting, filters etc., and a load of internal controllers. Adjust your attack. External Controller 1 adds arpeggios. Includes a "Strangest Things" scene (television series). Amp: Brit JVM. The FM3 and FM9 presets simulate a Roland TB-303 bass synth, using External Controller 1.

006 - BY YOUR COMMAND // BY YOUR COMMAND FM3
Robotic sci-fi sounds from a ring modulator and LFO-controlled synth. The preset title refers to Cylons speaking in the 70's TV show Battlestar Galactica. External Controller 1 controls pitch in some scenes. Play single notes. FM3: lite version.

010 - NEW PLANETS // NEW PLANETS FM9 // THE PLANETS FM3
Pitch-shifted stereo delay repeats which create arpeggios, into a "space" reverb and chorus. Play single notes and slowly. Set the key in the Pitch block. Similar to the "MYSTIC ARPS" preset. Amp: USA Clean. FM3 and FM9: single Pitch block.

011 - HOME WORLD // HOME WORLD FM9 // HOME WORLD FM3
Space atmosphere from 100% wet diffusors with LFO-controlled time and envelope-controlled feedback, with a phaser, "deep space" reverb, fuzz. External Controller 1 adds effects. Includes the former preset "SPACE VERB". Amp: Double Verb. The title refers to the game HomeWorld. FM3 and FM9: lite versions.

013 - PROGGY PLEX FILTER // PROGGY PLEX FM9 // PROGGY PLEX FM3
Sample and hold filters fade in on the tail of ADSR sweeps, using dual source modifiers, creating a synth-like effect. Amp: Hipower. The FM3 and FM9 don't support dual source modifiers and use an alternative approach.

020 - DUAL CLEAN // CLEAN CHANNELS
Axe-Fx and FM9: dual clean amps (USA Clean and Double Verb). FM3: uses amp channels.

022 - NO-SYNTH SYNTH // NO-SYNTH SYNTH FM3
Synth-like sounds using ADSR-controlled filters, flanger and two Amp blocks on Axe-Fx and FM9. External Controller 1 adds vibrato. Amps: Class-A 30W. FM3: lite version. Different scenes across devices.

023 - NEW COUNTRY // OLD NEW COUNTRY
Country-oriented guitar sounds, using dual Amp blocks (FM3: single), compression and tremolo. Amp: Mr Z MZ-38.

028 - UBER CHUGGAS // UBER CHUGGER
Dual high-gain amp models, panned left and right. Amps: Energyball and Recto. The FM3 preset uses amp channels.

035 - M@-O-SPHERES // M@-O-SPHERES FM9 // STRATOSPHERE
Ambient crystals effects from the Pitch block into shifted and detuned stereo delays from the Plex Delay block and into an envelope-controlled filter. Input Gain in the second Pitch block is tied an envelope, to fade in the effect. External Controller 1 adds a voice and "holds" the sound in a scene. Scene controllers take care of gradual changes between scenes. Play slowly. Amp: 6G12 Concert. FM3 and FM9: lite versions.

037 - MELANCHOLY // MELANCHOLIA FM9 // MELANCHOLIA FM3
Clean tone through a phaser into 4 shifted stereo delays. Play single notes. External Controller 1 shuts down the reversed delays in scene 2. Amp: Band-Commander. FM3 and FM9: lite versions.

039 - JEFF & JAN // JEFF & JAN FM9 // JEFF & JAN JR.
Loosely evocative of Jeff Beck (guitar) and Jan Hammer (synthesizer) jamming in the era of the album “Wired”. Includes a recreation of Jeff Beck’s Ring Mod tone. External Controller 1 controls the wah or switches between minor and major. Play single notes. Amps: Deluxe Tweed, USA Clean. FM3 and FM9: lite versions.

040 - LATER EDDIE // LATER EDDIE FM9
Based on Eddie Van Halen's guitar sound in the Sammy Hagar-era. EVH 5150 "Block Letter" amplifier and his usual effects, including micro-pitch (stereo detuning) and EVH phaser. Dropped tuning through the Virtual Capo in one scene. Amp: PVH 6160. Previously named: "MODERN EDDIE".

043 - SOUNDTRACK // SOUNDTRACK FM9 // SOUNDTRACK FM3
Stereo delay effect, similar to other "band delay" presets, going through a Tri-chorus, hall reverb and LFO-controlled filter, with envelope-controlled pitch effects and automatic volume swells. Play slowly. Amp: Hipower. FM3 and FM9: lite versions, single Pitch block.

050 - SHOEGAZE FUZZ // SHOEGAZE FUZZ FM3
Fuzzy tones (Hard Fuzz and Octave Dust) through two amps (FM3: one) and some effects. Amps: Dweezil's Bassguy, Brit JM45.
 
051 - PEDALBOARD DELUXE // PEDALBOARD DELUXE FM3
All-round backline guitar preset, with a Deluxe Reverb, 1/8 dotted delay and a range of common pedalboard effects. Amp: Deluxe Verb. Previously named: "DELUXE DOTTED 8TH". FM3: no reverb.

053 - CHUGNUTS // THOR'S HAMMER+SAW
Various combinations of heavily gated high-gain amps in the Axe-Fx and FM9 presets. Similar to factory presets "FAS MODERN", "BEEF SUPREME" and "UNAPOLOGETIC". The Axe-Fx preset includes the former preset THOR's HAMMER+SAW" as a scene. FM3: FAS Modern.

070 - CIRCUITBENDERS // CIRCUITBEND FM3
Generates various kind of noise, using filtering, pitch shifting, ring modulation and bit reduction. Use External Controller 1 to degrade the sound even more. The Axe-Fx and FM9 presets use dual amps, the FM3 has a single one.

071 - STEREO DEATH FUZZ // POST AMP FUZZ (FM3)
Fuzz and distortion mayhem, panned left/right, pre and post amp. Added effects: pitch, phaser and filtering (uses External Controller 1). The FM3 preset features the "Hard Fuzz" model and a single amp, while other scenes add a low octave and post-amp phasing.

072 - FORLORN // FORLORN FM9 //FORLORN FM3
Delayed pitch-shifted notes with lots of reverb, stereo enhancer and automatic volume swells. Sounds like an orchestra tuning before a concert. Play single notes and slowly. FM3: single Pitch block.

075 - THRILLING CHILLING // GRIM GRINNING GHOSTS
The title refers to Walt Disney’s LP “Thrilling Chilling Sounds of the Haunted House”. Complex preset, using lots of controllers, to create a range of spooky sounds. FM3 and FM9: lite versions.

077 - MEN IN THE BOX // MEN IN THE BOX FM9 // MEN IN THE BOX FM3
Formant blocks produce the different types of talkbox effect, for example as heard in the song "Man In The Box" by Alice in Chains. Controlled by an LFO, ADSR, or expression pedal in different scenes. Amp: Euro Red. Previously named: "MAN IN THE BOX".

078 - BARRACUDA // BARRACUDA FM9
Produces the flanged guitar sound of "Barracuda" by Heart, through two amps (FM3: one). Use a Control Switch to change delay and pitch. Amps: Hipower and Plexi 50W. Previously named: BROKEN HEART. "The momentary delay is for the weird syncopation of the outro. This preset was created for a touring classic rock company and it works great." [5]

079 - SOLAR ECLIPSES // SOLAR ECLIPSES FM3
Cinematic soundscapes in stereo, using envelope-controlled Megatap Delay, Plex Delay and crystals from the Pitch block. External Controller 1 controls the frequencies in the Filter block in a scene. Play slowly. FM3: alternative version.

082 - CAPRICORN 3 // CAPRICORN FM9 // CAPRICORN 1
Sci-fi effects from pitch-shifted delays going through an envelope-controlled filter. Amp: Band-Commander. Play sustained single notes. Previously named: "CAPRICORN 1". FM3 and FM9: lite versions.

085 - BLITZ III // UNAPOLOGETIC
Dual high-gain amp models, with various EQ settings. Amps: Energyball and FAS Modern. FM3: FAS Modern. Similar to presets "FAS Modern", "Thor's Hammer+Saw" and "Beef Supreme".

086 - FINAL FRONTIER 3 // USS FM3
Produces the Star Trek theme. Play a single note and let it sustain. Uses envelope-controlled filter and pitch, synth and more. FM3 and FM9: lite versions.

087 - DYNAFILTER DUAL MOD // DYNAFILTER FM9 // DYNAFILTER
Synth-like sci-fi sounds generated by dual modifiers (Axe-Fx only).

089 - FIIIFTHS IN SPACE // FIFTHS IN SPACE
Automatic volume swells and detuned and shifted delays create stereo dreamscapes. Play single notes. The title is a reference to “Pigs in Space” from The Muppet Show. FM3 and FM9: single Pitch block.

095 - PLEX VERB 8x2 // PLEX VERB 8
Preset by Leon Todd. Two Plex Delays and Multitap Delay create massive reverb (FM3 and FM9: single Plex block). Amp: Brit JM45, USA Lead.

099 - W@RPED VINYL 3.0 // W@RPED VINYL FM9 // W@RPED VINYL FM3
Complex preset that creates noise and lo-fi sounds with the help of synths, filters, EQ and LFOs. Includes a scene based on the intro of "Wish You Were Here" by Pink Floyd. Amp: 5F1 Tweed. FM3 and FM9: lite versions.

103 - ROCKMEON CLEAN // ROCKMEON CLN2
The heavily compressed and chorused "Clean 2" sound of the legendary Rockman analog headphones amplifier (developed by Tom Scholz, now owned by Dunlop), which was popular in the '80s. Demo by Leon Todd Uses a Tone Match block instead of a cab block (not on FM3 and FM9, replaced with PEQ). Amp: USA Pre.

106 - CRYSTAL SCIONS // CRYSTAL SCIONS FM9
Automatic volume swells, Multitap Delay diffusor, crystals effect, "cavern" reverb, with modulation effects, create blooming stereo sci-fi soundscapes. External Controller 1 controls frequency. Play slowly. The preset title possibly refers to the game Final Fantasy. FM3 and FM9: lite versions.

111 - ECHO DEVA III // ECHO DEVA '21 // ECHO D. FM3
Delay feedback loop, using External Controller 1 for feedback (oscillation) and LFO for wow and flutter, dual amp blocks, and modulation effects. Amps: Class-A 30W. FM3: single amp and scene controllers.

113 - DIAMONIQUE RAIN // MODULATED MAYHEM
Ambient soundscapes with automatic volume swells and shifted detuned stereo delays from Plex Delays. Play slowly. Amp: Band-Commander. FM3 and FM9: ping pong delay, phaser and resonator and Friedman amp.

114 - COMPURHYTHM // COMPY JAM FM9 // COMPY JAM
Complex preset that turns the device into a drum computer. External Controller 1 generates sort of a drum fill. FM3 and FM9: lite versions.

115 - GNOME MAN'S LANDS // GNOME-MANS LAND FM9 // GNOME-MANS LAND FM3
Pitch-shifted 100% wet delay trails (no dry), panned left/right by an LFO, with reverb from a Multitap Delay. FM3 and FM9: alternative versions.

116 - STEVENS REBEL YELL // STEVENS REBEL FM9 // STEVENS REBEL FM3
Preset by Fractal Audio artist Steve Stevens, reproducing the guitar sound in Billy Idol's Rebel Yell. Uses a Tone Match block instead of a cab (not on FM3/FM9). External Controller 1 introduces the raygun effect in a scene. Amp: Atomica High.

118 - PETE-A-PALOOZA // PETE-A-PALOOZA FM9 // PETE-FEST FM3
Preset by tone connoisseur Pete Thorn. Amps: various. FM3 and FM9: liter versions.

119 - LARRY MITCHELL NY STEAK // LARRY MITCHELL NY 1990
Creative preset by Fractal Audio artist Larry Mitchell. Dual amps (FM3: single). The L/R panned sounds are by design.

120 - MARK DAY'S RECTO CYGNUS // MARK DAY'S RECTO FM9 // MARK DAY'S RECTO FM3
Massive high-gain preset by in-house Fractal Audio artist Mark "too much gain" Day. Dual amps in FM9 preset.

121 - FREMEN'S DRONES OF ARRAKIS // FREMEN'S MINI DRONES
Preset by preset designer Fremen: solo over synth drone chords, with ducking delay. Amp: USA IIC++. The title refers to the Dune series. FM3 and FM9: one synth instead of two.

125 - LEON'S LIVE // LEON'S LIVE FM9 // LEON'S LIVE FM3
Gig preset by Fractal Audio artist and YouTuber Leon Todd. Demonstrates the use of multiband compression and the Multitap Delay, and EQ-ing to create a lo-fi radio sound. External Controller 1 engages the Pitch block for pitch detuning. Also uses Control Switches. Amps: USA Lead (high gain) and Band-Commander (clean). Breakdown by Leon Todd FM3 and FM9: lite versions.
 
I am searching for the Sustain Maniac factory preset that has been mentioned here before. I believe it is an FM3 preset but could be used in an Axe III. Any idea where I may find it? I have the latest Axe III factory presets, but I have not found it there so it must be an FM3 preset. So how do I find this preset and import it to my Axe III?
Once you find it, use FracTool to convert it
 
Back
Top Bottom