Those of you with keen ears can you spot the "G3 difference"? Listen to when he plays the single note runs high up on the neck.
I think I can hear it in the low end when he's picking the three notes at 0:27-0:28. There's a special kind of tube signature to it in the lows when he's picking single notes. So very pleasing to the ear, it must be because I recognize it from playing tube amps. There's a signature thing happening in the lows / pick attack which I only can describe as the audible version of what there is to
feel for when playing a tube amp.
this specially occurs when playing leads, even though it's bright notes far up the neck, the feel from it kind of comes from the lows of it all as I see it.
Then there's the thump in 0:12-0:14.
Also, the note he's bending at 0:36-0:38 - the notes sound as if they're packed with 50% more harmonics yet not harsh or shrill, just sweeter,
it's an intense singing note with a kind of almost super sonic but still polished high end to it. it's as if there's some
special sauce (I know you like the term
) in there constructing some kind of harmonic bridge between the harmonics in the note making it piercing but still warm in the means of "my ears wants moooore!".
High end, as it should be. It's as if you nailed the dangerous x factor of tube amps - it sounds so good you just want more of it! you know you're gonna blow your ears out, but you don't care - if you can get more of it then it's worth it. that's how I feel about this. I just want to play it from the top of the world and play as loud as possible.
One could bright up all the black holes in the universe with the sweet special sauce from this thing.
