Man Bill Rupert knows how to pull the magic out of these things. Even whipped out some Mahavishnu in the beginning.
I have a good musician friend who just turned 66 and is completely technologically impaired when it comes to all the newer tech. However, he has perfect pitch, went to Peabody for composition and conducting and blows me away with theory knowledge. I showed him these 9 pedals thinking they just might be something he could handle. Well he went crazy and bought 4 of them straight away. I was like “just get one and see how it really works before going all in”. It was just too much temptation for him. He’s been getting a grip on it. He has all these little notes of paper with all the control positions for all the song parts he wants to use them. For me I would just use them at arms length and tweak on the fly. He’s presently saving for the String9. Hearing about the failure rate is a bit disconcerting.
I’ve been tempted to get the GR-55 many times, but I waited so long that I figure Roland will finally come out with something new a month after I get it. The Boss GP-10 looks cool too. Here again it’s rather dated. I didn’t realize its capabilities until the posts
@Piing posted the other day. When I got the FM3 I figured I would get my non guitar/synth sound fix along with my Eventide H9. For the most part it has scratched that itch, but not completely. Everything seems a must have when watching a video with an experienced player.