thegrindcorps
Member
Update. Last brainstorm before I start posting real tracks with guitars and Sub Contrabass. I'll keep updates flowing in until I'm ready to actually record this atrocity of an album i'm creating.
https://soundcloud.com/the-grindcorps/slamerhead-shark-abyssal-plain-brutality
Proud to present a stylistic sample of a soon to be album \M/
(SLAMMERHEAD ShArK)
https://soundcloud.com/the-grindcorps/slammerhead-shark-chumstorm
For now just me messing around all improved on the spot yesterday for a project I'm gonna start serious work on soon. Sloppy seconds fake N00B/shitty band "chum in my face" playing style.
It's gonna be a secret parody comedic russian/san diego indonesian, style slam djenting death metal band with some creative cliches and intenionally woefull songwriting poking fun at that slam and djent scene while trying to release it as if I were serious just to see how many people will actually like it and see if I can get it to blow up so I can laugh at everyone for listening to music I think is pretty bad.
Its not much now but wait till I have songs down and written and an the actual album recorded now that I know exactly how to approach writing all the songs. Wait till I make some presets over 9000x as brutal to record album with and add 20.6 hz drop E contra bass to the mix with me recording live drums in a professional studio. Please join me then in laughing my ass off at how I made a better terrible cliche album than most who are trying seriously. I have people to play live with if needed to help establish the parody hoax as a serious band in the mind of listeners and fans.
That said I tried to make this preset as good as I can to sound particularly bothersome. Used
8 string bubinga body, bubbinga walnut neck kingwood fretboard guitar, anything made out of mahogony, Lace deathbar 28-26 multiscale OAF guitar. Into axe fxII fw 18.xx. With this guitar, the 8 string I feel like you can never go to bright so used custom preset I made called east bloc brutality, involving two very high gain amps FAS BR00talz(of course) and 6160 II into four cabinets, mixed back into the center although preset is stereo. Both Amps crankd input gain and trim, loud out volume moderate power amp volume and tweaked in all areas through and through for that classic raw russian ultra thick, yet earbleedy budget brutal death sound. Amps and cabs parrall both being driven by zen master(as if they did't) have enough gain already. Crossover to start chain at 136.4 low pans set to .4 and negative .4 high pans at positive and negative 50. Stereo ultra res cab blocks centered 10% mic spacing. Cabs go pack from parallel into mixer block taking attributes from each amp and cab chain and mixed center. PEQ MBC and ENH after that and into output mixer where everything remains essentially in big mono. Moderate input nose gate, enough to alow enough noise in for real nastiness and rawness. Out of axe pdif into protools. waves ll3 ultramaximizer as only plug in to squash signal using abuse amount of compression to get the that east bloc russian way over compressed raw noisy somwhat lofi sound.
For right now just have this sample but I'll soon probably have some songs and at least preproduction guitar and bass. This sample is all improv taking some of that playing style to comedic levels has a raw gritty way over compressed low fi sound consistent with alot of the terrible recordings I've heard. Its more or less me making up instant riffs on the spot and weedling horrible random notes in between with no particular consitency to take br00tality to a new level by playing realllllly annoying shit. Between ideas for ways to take this type of music to a new level of awful riff wise and motif wise, Alot of the song is me just playing kinda random biting notes just to bother people underscore how annoying and random some of the riffs can be in the type of music i'm parodying. Not gonna do one note random earblead notes on the acutual songs and eventual album I don't think unless I find a place in a song(s) where that fits and makes it that much more obnoxious without being to overt.
so in this 9 minute chumstor is ultrabright 8 string slam death taking the oft over used cliches and making them cliche. Just messing dicking around without regard or care for any musicality in hopes it will help me make worse music lol. I think I have a much better Idea of how i'm going to write and structure songs now. In addition to the more traditional cliche riffs that can lead one have trouble distinguishing between bands I made improved some even cheesier slams all the way down to f#(two semitones above open e on four string bass).
Once I actually make up songs it will be really funny because it will have ultimate amount of slammage. Cliche riffs that every band uses to abuse, but then I will mock them by going ahead and drop tuning to drop e just so my GUITAR riffs can reach lower than every one else. Then mix some new types of slamming riffs in somewhere I've thought up with really weird rhythms for even more arbitrarily pieced together typical song structure to show how im the most br00talest. Jest when you think it can't get cheesier, kick out slams involving low e string and slow chugging slams in stupid time signatures and syncopated drums super imposed(playing in a different time signature). Once in a while play a flurry of notes in randomly randomly arranged chromatic sequences but play sloppy so you cant even hear what notes are being played. Since the single most important factor in music is how low your band can play, and in annoying amounts, not only will the guitar bottom out as low as a normal bass. I will be restringing my 7 string bass to 7 string contra bass for drop E0(20.6)hz. Finishing touch lead singer will be a toilet flushing throughout the album because that's how the vocals are so might as well just take it to the logical conclusion. In addition to this I have taken an old broken bond and removed the downstepm and widened the hole to the beaker. I have also drilled several holes firecting airflow including one in an ice catcher. Now someones old brroken percolating bong works as a guttural vocal resonator. In the top chamber is the main wide whole in the top and one in the side of the ice catcher. You can growl inhale and exhaling vocals into the icecatcher just so you can be way less undersandable then anyone else. Placing a hand over the top you can adjust formant. The reverse is possible. The beaker at the bottom(lol) is large and will make your vocals take on an even deeper less audible timbre. You can even fill the percolator with water, mic the outside of that and growl from the top, ice catcher or bottom holes just for those amazing vocals you'd have to record forcefully drowning someone in a toilet to get. There you have it. Slammmerhead Shark with the new album human slammwhich. The br0000talist band of all time.
I wanna see how bad I can make it and how popular I can try to get it to be on the interwebs for being the most guttural, low, slamming, harsh on the ears, raw, brutal slamband, god awful, cheesy, cliche, played out uncreative music yet to be made. The irony is it will be more creative than all the serious generic bands out there because I will creatively piece together the most cliche abused recycled riffs, with my own even cheesier and lower slamming riffs that go in new rythmic directions on the one hand and get painfully boringly slow on the other hand. I and the team at slammerhead shark will be that taking slam to knew highs or should I say lows(both senses of the word). The only way I can think to make it worse and more popular is to incorporate abused djent riffs too and abuse low 20.6 hz on bass for djenting riffs to show how cool the band is because I play so low you are barely physically capable of hearing it in a perfect world, but there is almost zero chance you will since you will never have speakers that can reproduce the fundamental note, no venues do and only I can hear it because my in ear monitors go down to 8hz without significant drop off. Just to establish how br00tal slammerhead shark is, why bother high passing the bass if the fundamental lowest note is 20.6 hz. Just to be really cool I can boost it really high with linear phase eq so theres no headroom and you aren't even worthy of listening to it because it will make your puny speakers(even your 18 inch sub) distort really bad. And that is how you make a really popular band. I will seriously laugh my ass off if people start actually thinking its good music and sets an even worse trend that everyone wants to copy in uncreative low tuned slamming and djenting music.
LOL!!!!I dub this one "Abyssal Plain Brutality" the type of extremely low tuned slamtastic brutal death metal this project will be playing. Its fitting beccause guitar's lowest note is E1 lowest note on bass and Bass's lowest note will be E0, lower than any piano can play and barely within the human Hearing Range at 20.6 HZ. Slammer head Shark and their brand of Abyssal Plain Brutality will take brutal slamming death metal to new lows literally and figuratively. The Abyssal Plain being the low depths of the ocean, it doesn't get any lower or more brutal than Slammerhead Shark.
From now on only Tracks from songs. I've brainstormed enough and sunk to depths low enough to establish the sound and style that will encompass the first Slammerhead Shark release and take brutality to knew nightmarish depths of guttural earth shaking brutality. Thousands of feet below see level Slammerhead Shark is brooding, waiting to come to the surface and torment the ears of listeners for years to come.
https://soundcloud.com/the-grindcorps/slamerhead-shark-abyssal-plain-brutality
Proud to present a stylistic sample of a soon to be album \M/
(SLAMMERHEAD ShArK)
https://soundcloud.com/the-grindcorps/slammerhead-shark-chumstorm
For now just me messing around all improved on the spot yesterday for a project I'm gonna start serious work on soon. Sloppy seconds fake N00B/shitty band "chum in my face" playing style.
It's gonna be a secret parody comedic russian/san diego indonesian, style slam djenting death metal band with some creative cliches and intenionally woefull songwriting poking fun at that slam and djent scene while trying to release it as if I were serious just to see how many people will actually like it and see if I can get it to blow up so I can laugh at everyone for listening to music I think is pretty bad.
Its not much now but wait till I have songs down and written and an the actual album recorded now that I know exactly how to approach writing all the songs. Wait till I make some presets over 9000x as brutal to record album with and add 20.6 hz drop E contra bass to the mix with me recording live drums in a professional studio. Please join me then in laughing my ass off at how I made a better terrible cliche album than most who are trying seriously. I have people to play live with if needed to help establish the parody hoax as a serious band in the mind of listeners and fans.
That said I tried to make this preset as good as I can to sound particularly bothersome. Used
8 string bubinga body, bubbinga walnut neck kingwood fretboard guitar, anything made out of mahogony, Lace deathbar 28-26 multiscale OAF guitar. Into axe fxII fw 18.xx. With this guitar, the 8 string I feel like you can never go to bright so used custom preset I made called east bloc brutality, involving two very high gain amps FAS BR00talz(of course) and 6160 II into four cabinets, mixed back into the center although preset is stereo. Both Amps crankd input gain and trim, loud out volume moderate power amp volume and tweaked in all areas through and through for that classic raw russian ultra thick, yet earbleedy budget brutal death sound. Amps and cabs parrall both being driven by zen master(as if they did't) have enough gain already. Crossover to start chain at 136.4 low pans set to .4 and negative .4 high pans at positive and negative 50. Stereo ultra res cab blocks centered 10% mic spacing. Cabs go pack from parallel into mixer block taking attributes from each amp and cab chain and mixed center. PEQ MBC and ENH after that and into output mixer where everything remains essentially in big mono. Moderate input nose gate, enough to alow enough noise in for real nastiness and rawness. Out of axe pdif into protools. waves ll3 ultramaximizer as only plug in to squash signal using abuse amount of compression to get the that east bloc russian way over compressed raw noisy somwhat lofi sound.
For right now just have this sample but I'll soon probably have some songs and at least preproduction guitar and bass. This sample is all improv taking some of that playing style to comedic levels has a raw gritty way over compressed low fi sound consistent with alot of the terrible recordings I've heard. Its more or less me making up instant riffs on the spot and weedling horrible random notes in between with no particular consitency to take br00tality to a new level by playing realllllly annoying shit. Between ideas for ways to take this type of music to a new level of awful riff wise and motif wise, Alot of the song is me just playing kinda random biting notes just to bother people underscore how annoying and random some of the riffs can be in the type of music i'm parodying. Not gonna do one note random earblead notes on the acutual songs and eventual album I don't think unless I find a place in a song(s) where that fits and makes it that much more obnoxious without being to overt.
so in this 9 minute chumstor is ultrabright 8 string slam death taking the oft over used cliches and making them cliche. Just messing dicking around without regard or care for any musicality in hopes it will help me make worse music lol. I think I have a much better Idea of how i'm going to write and structure songs now. In addition to the more traditional cliche riffs that can lead one have trouble distinguishing between bands I made improved some even cheesier slams all the way down to f#(two semitones above open e on four string bass).
Once I actually make up songs it will be really funny because it will have ultimate amount of slammage. Cliche riffs that every band uses to abuse, but then I will mock them by going ahead and drop tuning to drop e just so my GUITAR riffs can reach lower than every one else. Then mix some new types of slamming riffs in somewhere I've thought up with really weird rhythms for even more arbitrarily pieced together typical song structure to show how im the most br00talest. Jest when you think it can't get cheesier, kick out slams involving low e string and slow chugging slams in stupid time signatures and syncopated drums super imposed(playing in a different time signature). Once in a while play a flurry of notes in randomly randomly arranged chromatic sequences but play sloppy so you cant even hear what notes are being played. Since the single most important factor in music is how low your band can play, and in annoying amounts, not only will the guitar bottom out as low as a normal bass. I will be restringing my 7 string bass to 7 string contra bass for drop E0(20.6)hz. Finishing touch lead singer will be a toilet flushing throughout the album because that's how the vocals are so might as well just take it to the logical conclusion. In addition to this I have taken an old broken bond and removed the downstepm and widened the hole to the beaker. I have also drilled several holes firecting airflow including one in an ice catcher. Now someones old brroken percolating bong works as a guttural vocal resonator. In the top chamber is the main wide whole in the top and one in the side of the ice catcher. You can growl inhale and exhaling vocals into the icecatcher just so you can be way less undersandable then anyone else. Placing a hand over the top you can adjust formant. The reverse is possible. The beaker at the bottom(lol) is large and will make your vocals take on an even deeper less audible timbre. You can even fill the percolator with water, mic the outside of that and growl from the top, ice catcher or bottom holes just for those amazing vocals you'd have to record forcefully drowning someone in a toilet to get. There you have it. Slammmerhead Shark with the new album human slammwhich. The br0000talist band of all time.
I wanna see how bad I can make it and how popular I can try to get it to be on the interwebs for being the most guttural, low, slamming, harsh on the ears, raw, brutal slamband, god awful, cheesy, cliche, played out uncreative music yet to be made. The irony is it will be more creative than all the serious generic bands out there because I will creatively piece together the most cliche abused recycled riffs, with my own even cheesier and lower slamming riffs that go in new rythmic directions on the one hand and get painfully boringly slow on the other hand. I and the team at slammerhead shark will be that taking slam to knew highs or should I say lows(both senses of the word). The only way I can think to make it worse and more popular is to incorporate abused djent riffs too and abuse low 20.6 hz on bass for djenting riffs to show how cool the band is because I play so low you are barely physically capable of hearing it in a perfect world, but there is almost zero chance you will since you will never have speakers that can reproduce the fundamental note, no venues do and only I can hear it because my in ear monitors go down to 8hz without significant drop off. Just to establish how br00tal slammerhead shark is, why bother high passing the bass if the fundamental lowest note is 20.6 hz. Just to be really cool I can boost it really high with linear phase eq so theres no headroom and you aren't even worthy of listening to it because it will make your puny speakers(even your 18 inch sub) distort really bad. And that is how you make a really popular band. I will seriously laugh my ass off if people start actually thinking its good music and sets an even worse trend that everyone wants to copy in uncreative low tuned slamming and djenting music.
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