Haha gotcha, oh well.
Yea what I found is that since I don't gig or play live at all, only jam with one other guitarist who uses a regular tube rig, don't care about the tonal variety of IR's etc etc etc...I just don't have any of the typical use cases for an frfr setup. I'm super happy with my 2x12, don't care that the cab "colors the tone" because to me, the cab is part of the tone anyways. I use maybe three or four different high gain tones and a few other crunch types and a clean. I record direct using IR and just tweak that with studio monitors then record it silently while monitoring on my cab. Works like a charm and I don't feel like I'm compromising.
If I ever start playing live I'll possibly hook up the frfr instead to make it easier but compromise a bit on the feel of it. Not really sure which way I'd really go with that. Might even be tempted to just go full traditional and bring my 212 and let them put a mic on it like it's any other amp, who knows. 99% sure I won't play live anyways so it doesn't really matter haha.
Just use what works for you, frfr isn't for everyone and that's ok. I feel like I'd be more able to get along with it if I wasn't trying to play death metal, but who knows.