guitarnerdswe
Fractal Fanatic
After using the regular delay block for some time, I'm back to using the multitap delay block again. One thing I really miss from the regular delay block, is the selectable slopes for the high and lowcut. You know, the 6, 12, 18, 24 etc dB/octave.
The high and lowcut in the multitap delay block are fixed at 6 dB/octave, which I find quite limiting. Using the filters in the same block isn't really suitable for regular cuts either, since they are more for unorthodox bandpass effects than normal high and lowcut, and are also a bit of a hassle to work with anyway. With more options for the slopes of the cuts, you could get the multitap delay block to do the sounds of analog delays, tape delays, vintage digital delays etc, which you can't do with the current cuts.
The high and lowcut in the multitap delay block are fixed at 6 dB/octave, which I find quite limiting. Using the filters in the same block isn't really suitable for regular cuts either, since they are more for unorthodox bandpass effects than normal high and lowcut, and are also a bit of a hassle to work with anyway. With more options for the slopes of the cuts, you could get the multitap delay block to do the sounds of analog delays, tape delays, vintage digital delays etc, which you can't do with the current cuts.
