Review: Hired Gun

iaresee

Administrator
Moderator
What's it like to live in the shadow of a superstar? To be the band to The Man? To back the big ones?

Hired Gun (7.1/10 on IMDB) makes an attempt to go behind the leading men and women and interview the musicians who help them record and perform their material live. It's got a heavy emphasis on rock music which is what lured me in to watching it on Saturday evening. The cameos are everything here, and the film did a good job of talking to a nice cross section of seasoned and new-to-the-scene players. Guitarists represent heavily, but there's some bass player and drummer content as well.

The stories from Lukather were, as per his usual story telling style, laugh-out-loud funny. And he told a new one (to me) I hadn't heard before. His segments were cut really well with the other story teller making them even more interesting.

It went into sufficient depth with the various artists to make me feel like I heard a complete story. A usually complaint of mine with music docs is they're too light on the talking and stories, a little too heavy on the long pulls on still images. Not so with Hired Gun.

While it's not put together with the same polish or focused narrative that 20 Feet From Stardom has, it's still a pretty enjoyable 2 hours and you get to hear from rock musicians who are on their A game and not usually offered a chance to speak because they're backing others and not fronting a thing.

The tone of the film is interesting. Specifically, the tone shift as the movie progresses is worth paying attention to and I won't say any more than that.

If I'm making oberservations, the "guns" do perform some "all guns" tunes and they're technically interesting, but otherwise kind of bland. Not sure if that was intentional or not, but it says something about being amazing and being a best-selling artist not being even remotely connected as far as skill sets.

It's streaming on Amazon Prime here:

Amazon product ASIN B073RFNY3C
 
Was a good one to see. It's been a while since I saw it but I remember thinking it kinda lost me after a while - maybe that's the tone shift you mention. I'll have to go back and re-watch. Agree on the all-gun band jam not really paying off.

And Billy Joel...yeah...I do wonder what his take on the situation is. It's always sad to see the original guys who helped build the name have to buy their way back into the band as an hourly worker. But that's the nature of it - no one is buying a ticket to see Liberty DeVitto. If you want fame and fortune, definitely go with being the frontman.
 
I saw it months ago. I lost all respect for Billy Joel.
Yea, it was all presented from one side though, so keep that in mind.

Another thing that crossed my mind is, at a certain point, you stop being yourself and start being a company -- Billy Joel is a person, but he's also a machine now. A machine with a fairly sizeable number of people who rely on it for money to feed their families, health care insurance, etc. All the normal fixings of a business. That can't be easy for a musician to normalize; you get in it for the music, not to be the CEO. And a CEO is a hard job, not everyone is suited for it. I suspect Billy Joel falls very much on the side of "not suited" for that job. It's a skill to fire someone with compassion and grace; can't imagine there's a lot of that being learned by CEO-musicians. :)
 
Back
Top Bottom