Piing
Axe-Master
I've recorded Vinnie Moore's April Sky (a J.S. Bach arrangement). Iam not trying to emulate his tone, just getting a pleasant tone. I have spent so much time re-amping and equalizing to balance the mix that I believe that now my ears are tired, so I cannot discern what is more and what is less on the mix levels, or if I should go back to redo the individual tracks, or the choice of VST instruments
The initial guitar tones did sound cool isolated, but didn't sit well in the mix.
What would you do different here? Is there some level over the place? Weird EQ? Any kind of criticism is welcome. (I am too old to improve my sloppy playing, though)
The drums is the "Hard Rock EZX - Softy" kit from SD2, the bass "Acoustic Trilian Bass", and the Strings "Symphony Essentials" from Kontakt
I think that now I begin to understand why Musician, Producer, Mixing Engineer, and Mastering Engineer shall ideally be 4 different persons
The initial guitar tones did sound cool isolated, but didn't sit well in the mix.
- Rhythm Guitar: "Spandex & Hair Spray" factory preset, Scene 4
- Melody: "Carol Ann OD-2" factory preset, Scene 2 (CAB Block Tape Preamp with mids at 5.5dB) adding Crystal Echoes Pitch Block and Ice Castle Reverb
What would you do different here? Is there some level over the place? Weird EQ? Any kind of criticism is welcome. (I am too old to improve my sloppy playing, though)
The drums is the "Hard Rock EZX - Softy" kit from SD2, the bass "Acoustic Trilian Bass", and the Strings "Symphony Essentials" from Kontakt
I think that now I begin to understand why Musician, Producer, Mixing Engineer, and Mastering Engineer shall ideally be 4 different persons
Last edited: