I know what I'm doing today!try attaching a square wave lfo to the motor speed (damping at zero, range 1 to 2) and set the tempo of the lfo to 1/2 a bar or 1 bar. set all four delays tempo synced to very long times with lots of feedback. add a dual delay (also tempo synced) after the tape delay. douse liberally with reverb. play in time with the tempo. lose 3 hours.
Happy Birthday bradlakeThis has evolved into one of the cooler threads of recent times. as it is my birthday today I feel justified in begging for a III preset with some of these MTD blocks and controller settings.......I’m really digging how collaborative efforts between already-skilled FAS users have produced really cool stuff for us all to hear and use recently.....thanks again mates.
Happy birthday mate! Here's the patches. Just drop in the TV Mix 2 cab and go.This has evolved into one of the cooler threads of recent times. as it is my birthday today I feel justified in begging for a III preset with some of these MTD blocks and controller settings.......I’m really digging how collaborative efforts between already-skilled FAS users have produced really cool stuff for us all to hear and use recently.....thanks again mates.
yeah, man! we'll make a textural guitarist of you yet!
seriously though, nice job! personally, i might have left the drive at default, it's pretty crunchy, but still sounds boss. the great thing is that by changing the delay times, the lfo time, or even your playing techniques, you can generate tons of different stuff with this idea. if you want something less busy, then simply mute two of the delay lines, or use the stereo tape delay with some offset.
brilliant, Leon, thanks!Happy birthday mate! Here's the patches. Just drop in the TV Mix 2 cab and go.