I use my Fractal Audio Axe-FX II for both live and studio use. I primarily use it as an all-in-one solution and run direct-to-FOH and monitor with a powered wedge. In doing that over the years... I've used a lot of IR's. I use the stock Fractal IR's; own the entire Red Wire collection and the entire OwnHammer collection.
I've often advised people to mix a R121 & SM57 (off axis cap edge) for great 'quick results'. It's a classic combination in the studio; and it works. However, can be fatiguing over a gig to listen to that in your face loud (and the same holds true for the audience listening to you on the PA).
I also have a more advanced mix that I am slower to share, because it is my 'gold standard' and takes a little 'more' to get. After literally 100's (1000's?) of different mixtures, and ratios... this is my 'perfect storm... final answer' when it comes to Red Wire IR's.
I use the excellent Axe-O-Matic DSP from Ownhammer's site (and have donated money on top of buying it to Axe-FX owner that created it - it is that good). Link here: OwnHammer.com - Axe-O-Matic
With that you can mix IR's in parallel via ratios; and can choose the ratio by relevancy to each number. That means you can use any scale. I use a 1-10 scale. Nice.
Mix them with the Axe-O-Matic; drop that into your Axe-FX (or other modelers or software plug-in's using VST plug-ins) and that's it. Works for most every speaker in the Red Wire collection. Another very advanced thing that I do is mix the above without the filter and save them. Then I combine different speaker IR's with that EQ filter into combo cabs.
I do use the Mix-N-Match 4, 7 or 8 OwnHammer (especially for the heavier stuff) fairly often too. That's the 'easy peasy' way. **NO low cut needed with OwnHammer IR's.
When doing these, I recommend keeping the cab block 'vanilla' and that means - no motor drive, no air, no room, no mic.
Try this instead of adding EQ or PEQ blocks or going crazy with the amp block.
EDIT: Some simpler mixes that I totally dig and recommend using Red Wire:
For Fender Twin tones, I favor the following:
- Fender Twin - JBL D120Fs - M160 - Cap 2"
- Fender Twin - Jensen C12Ns - M160 - Cap 2"
Mixed evenly (ratio 1:1)
For the new Deluxe Tweed amp I am favoring the following:
- Fender Deluxe Reverb - Oxford 12K5-6 - M160 - Cap 2"
- Tweed Deluxe - Celestion Blue - M160 - Cap 2"
- Tweed Deluxe - Jensen P12R - M160 - Cap 2"
All mixed evenly (ratio 1:1:1).
Failing that, just roll with the first IR and go.
For Plexi/JTM/JCM sorts of tones I am favoring the following:
- '68 Basketweave - Vintage G12M25s - M160 - Cap 2"
- '68 Basketweave - Vintage G12H30s - M160 - Cap 2"
Mixed evenly (ratio 1:1)
I often also just use the Basketweave G12m25 with just the M160 and Cap 2" (or if too much bass, back it off to 4")
The key to killer tones live and in the studio are the IR's. This *will* get you there. It takes some work; the results are *more* than worth the effort. I promise.
I've often advised people to mix a R121 & SM57 (off axis cap edge) for great 'quick results'. It's a classic combination in the studio; and it works. However, can be fatiguing over a gig to listen to that in your face loud (and the same holds true for the audience listening to you on the PA).
I also have a more advanced mix that I am slower to share, because it is my 'gold standard' and takes a little 'more' to get. After literally 100's (1000's?) of different mixtures, and ratios... this is my 'perfect storm... final answer' when it comes to Red Wire IR's.
I use the excellent Axe-O-Matic DSP from Ownhammer's site (and have donated money on top of buying it to Axe-FX owner that created it - it is that good). Link here: OwnHammer.com - Axe-O-Matic
With that you can mix IR's in parallel via ratios; and can choose the ratio by relevancy to each number. That means you can use any scale. I use a 1-10 scale. Nice.
My "RWmix7" mixes includ the following (using Red Wire):
- R121 at 4" cap (Ratio: 10)
- U47 at 3" cap (Ratio: 10)
- Ambient Mic (Behind the cab; prefer 12" but use whatever is available (not all distances are available in each speaker IR collection)) (Ratio: 3)
- Add Filter - Add the Neve EQ1073.wav HiPass-80Hzfile
- R121 at 4" cap (Ratio: 10)
- U47 at 3" cap (Ratio: 10)
- Ambient Mic (Behind the cab; prefer 12" but use whatever is available (not all distances are available in each speaker IR collection)) (Ratio: 3)
- Add Filter - Add the Neve EQ1073.wav HiPass-80Hzfile
Mix them with the Axe-O-Matic; drop that into your Axe-FX (or other modelers or software plug-in's using VST plug-ins) and that's it. Works for most every speaker in the Red Wire collection. Another very advanced thing that I do is mix the above without the filter and save them. Then I combine different speaker IR's with that EQ filter into combo cabs.
I do use the Mix-N-Match 4, 7 or 8 OwnHammer (especially for the heavier stuff) fairly often too. That's the 'easy peasy' way. **NO low cut needed with OwnHammer IR's.
When doing these, I recommend keeping the cab block 'vanilla' and that means - no motor drive, no air, no room, no mic.
Try this instead of adding EQ or PEQ blocks or going crazy with the amp block.
EDIT: Some simpler mixes that I totally dig and recommend using Red Wire:
For Fender Twin tones, I favor the following:
- Fender Twin - JBL D120Fs - M160 - Cap 2"
- Fender Twin - Jensen C12Ns - M160 - Cap 2"
Mixed evenly (ratio 1:1)
For the new Deluxe Tweed amp I am favoring the following:
- Fender Deluxe Reverb - Oxford 12K5-6 - M160 - Cap 2"
- Tweed Deluxe - Celestion Blue - M160 - Cap 2"
- Tweed Deluxe - Jensen P12R - M160 - Cap 2"
All mixed evenly (ratio 1:1:1).
Failing that, just roll with the first IR and go.
For Plexi/JTM/JCM sorts of tones I am favoring the following:
- '68 Basketweave - Vintage G12M25s - M160 - Cap 2"
- '68 Basketweave - Vintage G12H30s - M160 - Cap 2"
Mixed evenly (ratio 1:1)
I often also just use the Basketweave G12m25 with just the M160 and Cap 2" (or if too much bass, back it off to 4")
The key to killer tones live and in the studio are the IR's. This *will* get you there. It takes some work; the results are *more* than worth the effort. I promise.
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