Can anyone comment on the qualities of the marshall cab relative to the bogner? I play mostly mid gain stuff, lots of jimmy page inspired guitar playing so the pr-55 speaker is currently a favorite, though have only tried it in the bogner. Thinking of getting it in the marshall and sunn too, along with celeation Blues and EV-Ls.
Also, as Kevin mentioned he runs the IRs in his DAW. What is the best program to host IRs in the DAW that will get me zero latency while tracking? I was thinking Nebula 3 would be ideal but there is probably latency, no? I think this would be a cool way to work while tracking so I can audition different cabinets in the mix. I also assume it would allow us to get even higher quality as the wav files wouldn't be truncated like the Ultra Res are. So Ultra-Res for live, and DAW solution for studio? Any suggestions on which programs?
Can anyone comment on the qualities of the marshall cab relative to the bogner? I play mostly mid gain stuff, lots of jimmy page inspired guitar playing so the pr-55 speaker is currently a favorite, though have only tried it in the bogner. Thinking of getting it in the marshall and sunn too, along with celeation Blues and EV-Ls.
Also, as Kevin mentioned he runs the IRs in his DAW. What is the best program to host IRs in the DAW that will get me zero latency while tracking? I was thinking Nebula 3 would be ideal but there is probably latency, no? I think this would be a cool way to work while tracking so I can audition different cabinets in the mix. I also assume it would allow us to get even higher quality as the wav files wouldn't be truncated like the Ultra Res are. So Ultra-Res for live, and DAW solution for studio? Any suggestions on which programs?
Hey Kevin, are you able to tell us more about what the OH-Modern actually is or is that one of your trade secrets? [emoji14]
Also, any chance of including some e609/906 mics in the near future?
Gotta love this thread!
So much good stuff going on here!
On a side-note, I just uploaded a new demo to showcase the new modern files.
They are unique and VERY useful!
http://forum.fractalaudio.com/axe-f...t-metal-demo-new-ownhammer-modern-v3-irs.html
did I just see 1x12? my heart is happy....and my wallet is burning...
I've got so far 3 of the Marshall cabs - Mar-CB MB-08, EV-L and the M-PR20-75 and they all sound very good. The M-PR20-75 is outstanding - it's got a roar to ther sound and I think I have about 6 Bogner cabs, which are good too, but i musst admitt that I favor the Marshalls, maybe I've played all my life 2 412 Marshall Cabs? Very well fit the Marshalls so fare the Bogner H-PR-55, M-SB-75, M-PR-55 and the EL-V's - but thats my taste but they all sound really really good and favor the Marshalls...good advice Kevin with the M-PR20-75...:eagerness:
did I just see 1x12? my heart is happy....and my wallet is burning...
Can anyone comment on the qualities of the marshall cab relative to the bogner? I play mostly mid gain stuff, lots of jimmy page inspired guitar playing so the pr-55 speaker is currently a favorite, though have only tried it in the bogner. Thinking of getting it in the marshall and sunn too, along with celeation Blues and EV-Ls.
Also, as Kevin mentioned he runs the IRs in his DAW. What is the best program to host IRs in the DAW that will get me zero latency while tracking? I was thinking Nebula 3 would be ideal but there is probably latency, no? I think this would be a cool way to work while tracking so I can audition different cabinets in the mix. I also assume it would allow us to get even higher quality as the wav files wouldn't be truncated like the Ultra Res are. So Ultra-Res for live, and DAW solution for studio? Any suggestions on which programs?
I vastly prefer using a 4th order low pass filter in the filter block to the less steep Hi-Cut option in the cab block. This also allows you to bump up the Q a little from default so that you don't lose quite as much information around your knee frequency.
Please, a 1x12 with an EVM12L!
Can we get some 906 action on the rest of the V30s? [emoji14]
Thanks for the tip Kevin! Do you tend to use the 4th order low pass at 15K-ish or further down around 6K or so to take advantage of that bump near the core of the guitar's tone? I've been experimenting with around 6K with a Q of 1 and it sounds pretty good, just curious as to your methodology here.
I use Perfect Space, which came bundled with Sonar X1. I later transitioned to Cubase, and just copied the dll over to the VST Plugins directory as. I assume it is a stripped down derivative of Pristine Space, as they have certain tell tale similarities. Every once in a while VST Bridge will goof, as noted on their site, but I just disable/enable (note, not delete and reload) the plugin and it is fine most times. Worst case scenario I close and re-open Cubase and no problems. The goof only happens once in a blue moon when opening a session, never in the middle of one. I'm on Win 7 x64. I haven't done a comparison in a long time, but when I did, this one was noticeably better sounding than pretty much any of the others I tried and was the closest sound to what I was getting in Nebula versions of the same files. Some of the other IR loaders I tried sounded horribly broken by comparison, notably Revalver and LeCab II.
I'm sure it's answered somewhere, but what to the numbers from 00-10 mean?
killer ! worked absolutely fantastic with any kind of tone I threw at it. V3 and fw18 really seem to compliment each other nicely. looking forward to each and every speaker you add !the new 412-GTR MAR-TV cabinet