Joe Bfstplk
Legend!
Still dialing things in, but really happy with this set.
Neck: High Output
Middle: Vintage
Bridge: two High Output, one lefty and flipped around so the sit back to back.
Great sounds all around. Neck has that fat, bouncy bottom and nice mids that make rhyhm playing a joy, and the lead tome makes the SRV licks come out. Neck + middle immediately sounds like "Sultans of Swing". Middle pickup with a phaser and a Marshall crosses the "Bridge of Sighs". Middle + bridge has good cluck with the paralleled pair of bridge pickups. The bridge pair by themselves sound great in parallel, with good clarity and bite, nice lows, and no ice-pick. Switch to series and you get a wonderful spicy HB tone with fat mids, solid lows, and just a bit of smoke on the highs.
Currently waiting on a new pickguard, as the laminated clear layer over the flag on the current one separated. A nice aged moto pearl one is on its way from Sweetwater.
Still to do: flip the magnetic polarity in the black pickup, so I can split the bridge pair diagonally (not Diagon Alley) to get an approximation of the angled bridge pickup sound. I have some DPDT on-on-on switches on hand to do the split/parallel/series thing when the pickguard arrives. Will rewire the 4p5t super switch to default the pair to "split" in the bridge + middle spot, for maximum possible Strat tone....
The Cutlass got some hand-me-downs. This fixes the weird middle pickup issue and teaches the guitar the words so it doesn't hum. Coming soon: S1 volume pot/switch and 4p5t super switch so I can swap the middle for neck + bridge on the 5-way. The pickups thrown in here happen to balance wonderfully with the original bridge pickup, which is not a super-spicy one. Really happy with how this whole swap worked out....