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I'm using the Fryette 60L for just about all my classic rock presets. Das Metall for modern rock and Recto Red for classic thrash. Top Boost, Brownface and Blackface for cleaner sounds.
Most of the time I'm using the stock 4x12 20 and for some strange reason, tonestack position END seems to work for me fantastically on my drive sounds. That way I have to use next to no GEQ in my patches.
Im now down to Dr Z for clean, Plexi 2 for classic rock and Fryette High for high gain. I have "alternatives" that are a little fatter in the brownface, Trainwreck and Corncob that get used accasionally.
Oh - the Das Metal does get used for serious gain abuse - not live though, just home thrash moments.As for cabs - Im using a power amp and 2x12 mostly, though I do have "parallell" cabs set for recording. 2x12 brit for the Drz. both the fryette and Plexi 2 use Brit 4x12 and 20W 4x12 in paralell.
I'm using the "Buttery" model (Budda Twinmaster) as my main rhythm sound for the moment, with pre/master mostly cranked. Still plenty to explore, but that sits real well in the mix so far.
Follow the link below, and listen to the part after the first chorus for "Lost" - that's the patch, though the gain is a bit lower than usual for the recording.
The stock "Ned Beatty" preset is my go-to sound. I tweaked it a wee little bit, but that's a great starting point for just about any sound for me. That Fryette model is fantastic.
For my classic rock (skynyrd, bryan adams, etc...) I use a tape drive in front of a clean brownface.
Interesting how different the choices are so far. Just proofes the point how different tastes are and that there definitely are not enough sims in the Axe already
Interesting how different the choices are so far. Just proofes the point how different tastes are and that there definitely are not enough sims in the Axe already
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