Joe Bfstplk
Legend!
Two versions:
Uses Ownhammer's 1x12 SRO Thiele cab in one, and Ownhammer's 4x10 Weber Blue Pups cab in the other, not included (3rd party IP). There's an SRO and a 4x10 Brit in the factory cabs that will likely be pretty close, or you could swap in other cab IRs to suit and adjust the speaker impedance curve to suit.
External 1 is the dedicated main volume pedal control
External 2 sets the "wetness" of delays in lead and when using the "DLY XNT" (CS6) switch.
External 3 is the dedicated wah.
External 4 does the switch between clean/mean/lead, scenes control the effects palette.
Sits around 72% on my FM9.
Output 1 is set up to go to FOH, with no reverb-simulated AITR on the output.
Output 2 is set up to go to your FRFR(s), with a bit of reverb-simulated AITR on the output.
Enjoy!
- One with Leslie off in the middle of External 4's range when on the Leslie scene
- One with Leslie on in the middle of External 4's range when on the Leslie scene
Uses Ownhammer's 1x12 SRO Thiele cab in one, and Ownhammer's 4x10 Weber Blue Pups cab in the other, not included (3rd party IP). There's an SRO and a 4x10 Brit in the factory cabs that will likely be pretty close, or you could swap in other cab IRs to suit and adjust the speaker impedance curve to suit.
External 1 is the dedicated main volume pedal control
External 2 sets the "wetness" of delays in lead and when using the "DLY XNT" (CS6) switch.
External 3 is the dedicated wah.
External 4 does the switch between clean/mean/lead, scenes control the effects palette.
Sits around 72% on my FM9.
Output 1 is set up to go to FOH, with no reverb-simulated AITR on the output.
Output 2 is set up to go to your FRFR(s), with a bit of reverb-simulated AITR on the output.
Enjoy!
Last edited: