A to the T
Experienced
Well, I generally wouldn't play any GnR these days but I thought, hey, with all the hype over the AFD Marshall I should really try it out.
So I made an Ultrares Cab preset created using the new AFD Marshall that was added in v15.03.
Cab1 is OH_412_MAR-CB_V30-CH_Studio-Modern
Cab2 is OH_412_MAR-CB_M-SB-75_Studio Modern
The Reverb setting is the Medium Hall setting that I believe Mike Clink may have used on Sweet Child. I took the parameters from the manual of the Roland SRV-2000 which was used on the original GnR recording.
Kick in Delay 1 for the intro to jungle. I'm not 100% sure on the settings but I think its fairly close. The original effect was created using a built-in hidden preset in the SRV-2000 apparently. I interpreted it as dual mono delays. Also to note, I tone matched the Sweet Child main riff so you should only really enable it when playing that piece. The T-Match block really kills the Ultrares Cab. Sounds so much better playing without it.
Preset is here : Ultrares Slash 15.03
So I made an Ultrares Cab preset created using the new AFD Marshall that was added in v15.03.
Cab1 is OH_412_MAR-CB_V30-CH_Studio-Modern
Cab2 is OH_412_MAR-CB_M-SB-75_Studio Modern
The Reverb setting is the Medium Hall setting that I believe Mike Clink may have used on Sweet Child. I took the parameters from the manual of the Roland SRV-2000 which was used on the original GnR recording.
Kick in Delay 1 for the intro to jungle. I'm not 100% sure on the settings but I think its fairly close. The original effect was created using a built-in hidden preset in the SRV-2000 apparently. I interpreted it as dual mono delays. Also to note, I tone matched the Sweet Child main riff so you should only really enable it when playing that piece. The T-Match block really kills the Ultrares Cab. Sounds so much better playing without it.
Preset is here : Ultrares Slash 15.03
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