Blend it with a wrecker, or even better, a DUMBLE!! trust me when I say that combo will have you playing that strat till you fall asleep on yourself! Hahaha
+1 !The buttery is my favourite amp in the axe, period.
shotgunn said:I am SOOOOOOO trying this amp for the first time tonight. With my Strat!!!
I'm a high gain djent djent meedley meedely meedely type player...
Sent from my iPod.
I wrote this in 2010
"Buttery!
Aka Budda Twinmaster.
I recently rediscovered this sim.
Crank the master (it's a non-MV amp), keep Drive low (f.e. 2), turn down Bass, turn up Treble, Bright off.
Add Greenbacks (f.e. Red Wirez G12M25s) or G12H30s and you get a wonderful tone that covers the area between clean and crunch. Very articulate and transparent."
And it still applies. Love this amp sim!
At the moment I use it more often than Wrecker or Plexi.
Use with M75 or H75 (no mic) or G12M (SM57).
It's particulary remarkable, regarding how it was created:
Cliff: "I did the Buttery model by ear. I listened to some clips of Buddas (Matchbox 20, remember them?) and tweaked the model until I thought it sounded like one. Screwed around a little with the tube bias points until it had the right balance of harmonics and called it a day."
Again, I'm comparing it to the clean channel of Budda Superdrive, never owned a Twinmaster.
By the way, how about modeling Budda Superdrive in the future? They are fantastic and sadly underrated amps. The drive channel is one of the best I've heard. It sounds good especially with thinner pickups aka single coils, because it is thick like milkshake
If Y is the default state, the dedicated X/Y switch on the MFC Is green instead of red and I like that.
I use my X/Y dedicated switch on the MFC as CC not as IA switch, this make the led off when in X mode (default) and lights green when in Y mode!
Nice to have no led on as X default, and to have it green when in Y, I find it more relevant as green means on as default color.
Great thing is that the MFC can suit any need and adapt to what each player find the more usefull.