Narzugon
Power User
I have been working on a (virtual) Friedman BE for a week or more. I have it pretty dialed in with my studio monitors now(A7's). To further my exploration I decided to run through a pair of QSC HPR122i's. I knew they were going to sound different but I was surprised to hear less breakup. Almost as if the breakup was being compressed?
At any rate I ran down the Amp's Speaker page starting with Scott P's suggested starting points and tweaked for a while. After some time I started re-reading the manual per setting to try and fully understand each one and ran across this:
MID RESONANCE, MID RES FREQ, MID RES Q – While most speakers don’t have a third resonance,
this parameter allows you to fine-tune the edge-of-breakup profile for “hyper-realistic” tones. For authentic
response, set MID RES flat (0.00).
I set the Mid Res to 0 and got the breakup back. I was thrilled that this solved the problem and I learned something in the process. But has anyone experienced a FRFR cleaning up the sound in this fashion?
I've been recording sample tracks along the way making notes of settings so I can go back tomorrow with fresh ears. I recorded a track with it set to 0 to see how different it will sound with the A7's now.
At any rate I ran down the Amp's Speaker page starting with Scott P's suggested starting points and tweaked for a while. After some time I started re-reading the manual per setting to try and fully understand each one and ran across this:
MID RESONANCE, MID RES FREQ, MID RES Q – While most speakers don’t have a third resonance,
this parameter allows you to fine-tune the edge-of-breakup profile for “hyper-realistic” tones. For authentic
response, set MID RES flat (0.00).
I set the Mid Res to 0 and got the breakup back. I was thrilled that this solved the problem and I learned something in the process. But has anyone experienced a FRFR cleaning up the sound in this fashion?
I've been recording sample tracks along the way making notes of settings so I can go back tomorrow with fresh ears. I recorded a track with it set to 0 to see how different it will sound with the A7's now.