Bump because I want to potentially try this at rehearsal tomorrow. If I connected my IEM system to OUT2 and added a EQ block before an OUT2 block or used OUT2 global settings to EQ my in ears, could I then just connect my FrFr to my headphones jack and use the volume knob on the FrFr to control volume? Would all this work?
Plan to take a monitor send from the board to IN 2 on FM3If you do it this way you will not have the band in your IEM’s you will only have your guitar. The best thing to do is run your IEMs off the monitor/aux mix of your mixer and EQ it there.
Not sure that will work to be honest...don’t know how the signal level will work. @Admin M@ may be able to tell you better. Does your mixer monitor send not have eq?Plan to take a monitor send from the board to IN 2 on FM3
It does but then that EQ's the FOH sound, I want to be able to EQ my guitar sound independently of FOHNot sure that will work to be honest...don’t know how the signal level will work. @Admin M@ may be able to tell you better. Does your mixer monitor send not have eq?
I usually have reverb active in all my patches. I have a Shure PSM300 with Shure SE535s so it's not the best, but not the worst. Obviously the tone from an in ear mix is fundamentally different, Im just trying to add a little attack and bite for when I have to soloI apologize if I missed something as I've only had one shot of espresso this morning. Have you tried adding a little reverb to your IEM mix. I absolutely LOVE monitoring my guitar through my IEMs. I'm running 64audio iems in stereo through sennheiser g3. IEMs and transmitters make a huge difference. My bass player was shocked when he plugged into my Sen (he uses a CAD unit).
Then the only way this would work is if you routes no other signals but your guitar through the IEM’s so how would you monitor the rest of the bandIt does but then that EQ's the FOH sound, I want to be able to EQ my guitar sound independently of FOH
Your monitor eq should not effect front of house sound only what is being sent to that monitorThen the only way this would work is if you routes no other signals but your guitar through the IEM’s so how would you monitor the rest of the band
Last thought...how about adding the changes you're talking about to your lead scene and see if it still sounds good through FOH???I usually have reverb active in all my patches. I have a Shure PSM300 with Shure SE535s so it's not the best, but not the worst. Obviously the tone from an in ear mix is fundamentally different, Im just trying to add a little attack and bite for when I have to solo
Ive tried that and I fully understand in ears just sound different, but I wanted to try EQ the channel separatelyLast thought...how about adding the changes you're talking about to your lead scene and see if it still sounds good through FOH???
Sending a monitor line from the mixer to IN2 of the FM3 would allow me to get the rest of the band in my mixThen the only way this would work is if you routes no other signals but your guitar through the IEM’s so how would you monitor the rest of the band
Yes but you would still not be able to eq your guitar separately, your problem would not be solvedSending a monitor line from the mixer to IN2 of the FM3 would allow me to get the rest of the band in my mix
If it's connected to OUT2 I can then use Output 2 global settings to eq my guitar separatelyYes but you would still not be able to eq your guitar separately, your problem would not be solved
No it will edit everything that is coming into in2 so your entire monitor mix will be affectedIf it's connected to OUT2 I can then use Output 2 global settings to eq my guitar separately
dang it, i knew this was too good to be true lmaoNo it will edit everything that is coming into in2 so your entire monitor mix will be affected
Honestly if you seem like you are missing attack and bite it’s probably missing in FOH as well, unless it’s just a perceived difference because of volume levels.dang it, i knew this was too good to be true lmao