yek
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A quick gig story.
We're all FAS gear users: bass player and singer use AX8s, I use my Axe-Fx. I bring my own amplification, the others rely on monitoring or amps on location.
Yesterday we arrived at a venue which provides its own backline amps and PA. Amps point straight into the room, do not go through FOH or monitors.
So there was a Fender amp for the singer. No effects loop, and of course it didn't sound great going straight from AX8 into the Fender. So: adapt and adjust.
Luckily the singer uses just a single preset, with AMP X/Y for clean and dirty, with a couple of DRIVE blocks (BB and something low-gain).
We disabled the AMP and CAB blocks in the preset, switched I/O > Out Nominal from +4 to -10, and used the low input on the Fender. Done. Obviously he couldn't use AMP X/Y anymore, but the Drive blocks (stackable) compensated for that. We basically turned the AX8 into a pedalboard in no time.
Be prepared or know how to adapt.
We're all FAS gear users: bass player and singer use AX8s, I use my Axe-Fx. I bring my own amplification, the others rely on monitoring or amps on location.
Yesterday we arrived at a venue which provides its own backline amps and PA. Amps point straight into the room, do not go through FOH or monitors.
So there was a Fender amp for the singer. No effects loop, and of course it didn't sound great going straight from AX8 into the Fender. So: adapt and adjust.
Luckily the singer uses just a single preset, with AMP X/Y for clean and dirty, with a couple of DRIVE blocks (BB and something low-gain).
We disabled the AMP and CAB blocks in the preset, switched I/O > Out Nominal from +4 to -10, and used the low input on the Fender. Done. Obviously he couldn't use AMP X/Y anymore, but the Drive blocks (stackable) compensated for that. We basically turned the AX8 into a pedalboard in no time.
Be prepared or know how to adapt.